Alfred Manessier Terre Espagnole
Alfred Manessier
1911-1993
Terre Espagnole
signed and dated 65; signed with the artist’s initials and dated 65 on the stretcher
oil on canvas
99 x 99 cm ; 39 x 39 in.
Executed in 1965.
The authenticity of this work has been confirmed by Madame Christine Manessier.
This work is recorded in the Archives Manessier under no. H567.
________________________________________________________
Alfred Manessier
1911-1993
Terre Espagnole
signé et daté 65; signé des initiales de l'artiste et daté 65 sur le châssis
huile sur toile
99 x 99 cm ; 39 x 39 in.
Exécuté en 1965.
L'authenticité de cette oeuvre a été confirmée par Madame Christine Manessier.
Cette oeuvre est enregistrée dans les Archives Manessier sous le no. H567.
Condition Report:
The work was inspected in its frame. Close inspection reveals drying cracks and hairline craquelures on the red, orange and purple pigments, notably located on the upper and lower edges. The impasto is rich in places. Under ultraviolet light examination, there is no evidence of retouching. This work is in overall very good condition.
Provenance:
Private Collection, France
___________________________
Collection Particulière, France
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Alfred Manessier
1911-1993
Terre Espagnole
signed and dated 65; signed with the artist’s initials and dated 65 on the stretcher
oil on canvas
99 x 99 cm ; 39 x 39 in.
Executed in 1965.
The authenticity of this work has been confirmed by Madame Christine Manessier.
This work is recorded in the Archives Manessier under no. H567.
________________________________________________________
Alfred Manessier
1911-1993
Terre Espagnole
signé et daté 65; signé des initiales de l'artiste et daté 65 sur le châssis
huile sur toile
99 x 99 cm ; 39 x 39 in.
Exécuté en 1965.
L'authenticité de cette oeuvre a été confirmée par Madame Christine Manessier.
Cette oeuvre est enregistrée dans les Archives Manessier sous le no. H567.
Condition Report:
The work was inspected in its frame. Close inspection reveals drying cracks and hairline craquelures on the red, orange and purple pigments, notably located on the upper and lower edges. The impasto is rich in places. Under ultraviolet light examination, there is no evidence of retouching. This work is in overall very good condition.
Provenance:
Private Collection, France
___________________________
Collection Particulière, France