Allen Ginsberg, Neal Cassidy and his love of that year Natalie Jackson
Allen Ginsberg
Neal Cassidy and his love of that year Natalie Jackson conscious of their roles in Eternity, Market Street. Cassidy had been prototype for Kerouac's late 1940's On the Road saga hero Dean Moriarty, in 1960's later he'd take the wheel of Ken Kesey's psych
1955 / printed 1991
gelatin silver print
image: 6.375 h x 9.75 w in (16 x 25 cm)
sheet: 10.875 h x 13.875 w in (28 x 35 cm)
Partial proceeds from this sale will benefit the San Francisco Museum of Modern Art.
Signed, titled, and dated to lower margin 'Neal Cassidy and his love of that year Natalie Jackson conscious of their roles in Eternity, Market Street. Cassidy had been prototype for Kerouac's late 1940's On the Road saga hero Dean Moriarty, in 1960's later he'd take the wheel of Ken Kesey's psychedelic-era cross-country bus "Further." His illuminated American automobile mania & erotic energy had already written his name in bright-lit signs of our literary imaginations before movies were made imitating his charm (See "The Green Automobile" 1953.) Immortality comes later. That's why we three stopped under the marquee to fix the passing hand on the watch, San Francisco, 1955. Allen Ginsberg'. Signed, dated, and inscribed to verso '1955/32/475 printed by Sid Kaplan, 1991 Signed 3/92 India ink + pen nib Allen Ginsberg'.
Provenance: Collection of Byron R. Meyer
This work will ship from Los Angeles, California.
Condition
Work is in very good condition and is secured to backing with photo corners. Framed behind glass measuring 16 x 20 inches.
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Allen Ginsberg
Neal Cassidy and his love of that year Natalie Jackson conscious of their roles in Eternity, Market Street. Cassidy had been prototype for Kerouac's late 1940's On the Road saga hero Dean Moriarty, in 1960's later he'd take the wheel of Ken Kesey's psych
1955 / printed 1991
gelatin silver print
image: 6.375 h x 9.75 w in (16 x 25 cm)
sheet: 10.875 h x 13.875 w in (28 x 35 cm)
Partial proceeds from this sale will benefit the San Francisco Museum of Modern Art.
Signed, titled, and dated to lower margin 'Neal Cassidy and his love of that year Natalie Jackson conscious of their roles in Eternity, Market Street. Cassidy had been prototype for Kerouac's late 1940's On the Road saga hero Dean Moriarty, in 1960's later he'd take the wheel of Ken Kesey's psychedelic-era cross-country bus "Further." His illuminated American automobile mania & erotic energy had already written his name in bright-lit signs of our literary imaginations before movies were made imitating his charm (See "The Green Automobile" 1953.) Immortality comes later. That's why we three stopped under the marquee to fix the passing hand on the watch, San Francisco, 1955. Allen Ginsberg'. Signed, dated, and inscribed to verso '1955/32/475 printed by Sid Kaplan, 1991 Signed 3/92 India ink + pen nib Allen Ginsberg'.
Provenance: Collection of Byron R. Meyer
This work will ship from Los Angeles, California.
Condition
Work is in very good condition and is secured to backing with photo corners. Framed behind glass measuring 16 x 20 inches.