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LOT 52120135

Ancient Roman Glass Bottle jar with handle. Nice blue color. Intact. 17 cm H.

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Bottle jar with handle. -- intact --- Roman Empire, 1st - 2nd century AD. Glass Height 15,5 cm H. PROVENANCE: Private collection of the jeweler Octavi Sarda, Barcelona, 1968 - 1979. CONDITION: Intact. DOCUMENTS: Provided of export license issued by the Ministy of Culture. DESCRIPTION: Translucent greenish blue. Broad rim, folded out, round, and in; flaring mouth; concave neck; sloping shoulder; cylindrical body with almost straight, vertical sides; thick, flattened bottom with circular pontil scar. Glass articles were highly in favor with the Romans who acquired them through trade with Egyptians and Phoenicians. But already from the beginning of the Roman Empire they produced their own glassware in the metropolis and outside it, using glass vessels in the same manner as did the Egyptians and Phoenicians while refining their forms to produce objects of great variety and elegance. Just about all Roman burials contain clear or greenish glass vessels covered with an iridescent patina due to the action of humidity and air. These flasks, when made in narrow forms, are often called unguentaria or lacrimaria by collectors, but were only used to contain oils and perfumes in the tombs, not to be containers for tears. The Romans also perfected the art of working figures in relief on the glass vessels with the addition of another layer of glass of a different color, or one of enamel, along with molding, cutting and engraving of the glass, with the result that the surfaces of the containers looked like worked cameos. BIBLIOGRAPHY - ARVEILLER-DULONG, Véronique. NENNA, Marie-Dominique. Les verres antiques au museé du Louvre. Tomo II. Museé du Louvre. 2006. - FLEMING, Stuart J. Roman Glass: Reflections on Cultural Change. University of Pennsylvania Museum of Archaeology and Anthropology. 1999. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License (Passport for European Union) . - According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it: - Up to 6,000 euros: 5%. - From 6. 001 to 60. 000 euros: 10%. This export permit application process can take between 1-2 months maximum. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

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Bottle jar with handle. -- intact --- Roman Empire, 1st - 2nd century AD. Glass Height 15,5 cm H. PROVENANCE: Private collection of the jeweler Octavi Sarda, Barcelona, 1968 - 1979. CONDITION: Intact. DOCUMENTS: Provided of export license issued by the Ministy of Culture. DESCRIPTION: Translucent greenish blue. Broad rim, folded out, round, and in; flaring mouth; concave neck; sloping shoulder; cylindrical body with almost straight, vertical sides; thick, flattened bottom with circular pontil scar. Glass articles were highly in favor with the Romans who acquired them through trade with Egyptians and Phoenicians. But already from the beginning of the Roman Empire they produced their own glassware in the metropolis and outside it, using glass vessels in the same manner as did the Egyptians and Phoenicians while refining their forms to produce objects of great variety and elegance. Just about all Roman burials contain clear or greenish glass vessels covered with an iridescent patina due to the action of humidity and air. These flasks, when made in narrow forms, are often called unguentaria or lacrimaria by collectors, but were only used to contain oils and perfumes in the tombs, not to be containers for tears. The Romans also perfected the art of working figures in relief on the glass vessels with the addition of another layer of glass of a different color, or one of enamel, along with molding, cutting and engraving of the glass, with the result that the surfaces of the containers looked like worked cameos. BIBLIOGRAPHY - ARVEILLER-DULONG, Véronique. NENNA, Marie-Dominique. Les verres antiques au museé du Louvre. Tomo II. Museé du Louvre. 2006. - FLEMING, Stuart J. Roman Glass: Reflections on Cultural Change. University of Pennsylvania Museum of Archaeology and Anthropology. 1999. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License (Passport for European Union) . - According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it: - Up to 6,000 euros: 5%. - From 6. 001 to 60. 000 euros: 10%. This export permit application process can take between 1-2 months maximum. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

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