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LOT 50610933

Ancient Roman Marble Portrait head of a laureated African child - (1)

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ITEM: Portrait head of a laureated African child MATERIAL: Marble CULTURE: Roman PERIOD: 1st - 2nd Century A. D DIMENSIONS: 140 mm x 105 mm (without stand) , 220 mm x 105 mm (inc. stand) CONDITION: Good condition PROVENANCE: Ex Dr. Pierre Calvelli collection, Aix-les-Bains, acquired between 1960 – 1980 Private portrait sculpture was most closely associated with funerary contexts. Funerary altars and tomb structures were adorned with portrait reliefs of the deceased along with short inscriptions noting their family or patrons, and portrait busts accompanied cinerary urns that were deposited in the niches of large, communal tombs known as columbaria. This funerary context for portrait sculpture was rooted in the longstanding tradition of the display of wax portrait masks, called imagenes, in funeral processions of the upper classes to commemorate their distinguished ancestry. It is in portraiture that Rome makes its most characteristic contribution to the tradition founded by the Greeks, a contribution that matured much earlier than in other types of sculpture and which caused the development of sculpture in Rome to be divided into two fields, with different patterns of evolution, portraiture and the other types. From the time of the Republic, portraiture was highly valued and over time it oscillated cyclically between an idealising classicist tendency and one of great realism, derived in part from the expressiveness typical of Hellenistic art. Among the portraits, the bust and head were the most frequent forms. Full-length portraits were less common, although not rare. The preference for the bust and head is a typical Roman cultural trait that created a huge market throughout the Mediterranean basin, and is explained firstly by economic reasons, being much cheaper than a full-length statue, but also by the conviction of a better individual identification that prevailed among them. For the Romans it was the head, and not the body, nor the costumes or accessories, that were the attributes of the centre of interest in the portrait. Comes with Certificate of Authenticity and European Union export license If you bid outside European Union and win the item, we must request a new export license to your country and the shipment will delay between 3 - 5 weeks The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki. Important information. The seller guarantees that he is entitled to ship this lot. The seller will take care that any necessary permits will be arranged. The seller will inform the buyer about this if this takes more than a few days.

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Spain
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ITEM: Portrait head of a laureated African child MATERIAL: Marble CULTURE: Roman PERIOD: 1st - 2nd Century A. D DIMENSIONS: 140 mm x 105 mm (without stand) , 220 mm x 105 mm (inc. stand) CONDITION: Good condition PROVENANCE: Ex Dr. Pierre Calvelli collection, Aix-les-Bains, acquired between 1960 – 1980 Private portrait sculpture was most closely associated with funerary contexts. Funerary altars and tomb structures were adorned with portrait reliefs of the deceased along with short inscriptions noting their family or patrons, and portrait busts accompanied cinerary urns that were deposited in the niches of large, communal tombs known as columbaria. This funerary context for portrait sculpture was rooted in the longstanding tradition of the display of wax portrait masks, called imagenes, in funeral processions of the upper classes to commemorate their distinguished ancestry. It is in portraiture that Rome makes its most characteristic contribution to the tradition founded by the Greeks, a contribution that matured much earlier than in other types of sculpture and which caused the development of sculpture in Rome to be divided into two fields, with different patterns of evolution, portraiture and the other types. From the time of the Republic, portraiture was highly valued and over time it oscillated cyclically between an idealising classicist tendency and one of great realism, derived in part from the expressiveness typical of Hellenistic art. Among the portraits, the bust and head were the most frequent forms. Full-length portraits were less common, although not rare. The preference for the bust and head is a typical Roman cultural trait that created a huge market throughout the Mediterranean basin, and is explained firstly by economic reasons, being much cheaper than a full-length statue, but also by the conviction of a better individual identification that prevailed among them. For the Romans it was the head, and not the body, nor the costumes or accessories, that were the attributes of the centre of interest in the portrait. Comes with Certificate of Authenticity and European Union export license If you bid outside European Union and win the item, we must request a new export license to your country and the shipment will delay between 3 - 5 weeks The Seller can prove that the lot was obtained legally , provenance statement seen by Catawiki. Important information. The seller guarantees that he is entitled to ship this lot. The seller will take care that any necessary permits will be arranged. The seller will inform the buyer about this if this takes more than a few days.

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Time, Location
26 Sep 2021
Spain
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