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LOT 52133637

Ancient Roman Marble Rabbit fountain decoration. 1st - 2nd century AD. 22,5 cm H. Very nice!

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Rabbit for a decoration fountain. Roman Empire, 1st - 2nd century AD MATERIAL: Marble DIMENSIONS: Length 22. 5 cm PROVENANCE: Private collection R. G. (1921 - 2013) , Catalonia, Spain. CONDITION: While there are some visible defects, such as the missing ears, there has been no restoration to the piece. Part of the nose and the front paws are also missing. DESCRIPTION: Free-standing sculpture of a resting rabbit or hare. The back legs are doubled-up under the belly, while the front ones are stretched forward, resting on a flat base. The work is one of great naturalism, where we can appreciate the attempt of the artisan to reflect the real characteristics of the animal, such as the coat of fur in the area of the neck. The ears, today lost, were sculpted separately to be later joined to the head, as can be seen by the hole made deliberately in the centre of the base of the ears. The static attitude of the animal emphasises the highly stylised depiction of the figure, which can be attributed to older work, and so the work can be dated as being between the second half of the 1st century and the first half of the 2nd century AD. On the bottom of the base we can observe a hole which joins up with another hole in the animal’s mouth. Most probably, this sculpture was part of a fountain in a domus or Roman villa where, by a system of lead plumbing, water would spurt from the mouth like a fountain. The use of water as a luxury item and in decoration is a reflection of the social hierarchy wishing to show off their wealth and power. This led to rivalry in the creation of sumptuous spaces and decoration in their villas. With the construction of aqueducts, the domus in Rome which maintained the impluvia and compluvia and also the cisterns, but started to introduce pools, gardens and fountains as decoration. These would be smaller or more monumental. They also introduced bathing pools in the areas reserved for ablutions. The most frequently eaten meat in the Roman period in Spain was rabbit meat. The animals were not bred in captivity but were wild hares or rabbits. Pliny even explained that the name Hispania came from the Carthaginian term i-sephan-in, meaning “land of animals”. Catullus, with equal exaggeration, alluded to the Celt-Iberian canicularium as a negative expression of the peninsula. There must be something in this, as the Emperor Hadrian, a native of Spain, had the image of a rabbit engraved on his coins. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License (Passport for European Union) . - According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it: - Up to 6,000 euros: 5%. - From 6. 001 to 60. 000 euros: 10%. This export permit application process can take between 1-2 months maximum. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

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23 Oct 2021
Spain
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Rabbit for a decoration fountain. Roman Empire, 1st - 2nd century AD MATERIAL: Marble DIMENSIONS: Length 22. 5 cm PROVENANCE: Private collection R. G. (1921 - 2013) , Catalonia, Spain. CONDITION: While there are some visible defects, such as the missing ears, there has been no restoration to the piece. Part of the nose and the front paws are also missing. DESCRIPTION: Free-standing sculpture of a resting rabbit or hare. The back legs are doubled-up under the belly, while the front ones are stretched forward, resting on a flat base. The work is one of great naturalism, where we can appreciate the attempt of the artisan to reflect the real characteristics of the animal, such as the coat of fur in the area of the neck. The ears, today lost, were sculpted separately to be later joined to the head, as can be seen by the hole made deliberately in the centre of the base of the ears. The static attitude of the animal emphasises the highly stylised depiction of the figure, which can be attributed to older work, and so the work can be dated as being between the second half of the 1st century and the first half of the 2nd century AD. On the bottom of the base we can observe a hole which joins up with another hole in the animal’s mouth. Most probably, this sculpture was part of a fountain in a domus or Roman villa where, by a system of lead plumbing, water would spurt from the mouth like a fountain. The use of water as a luxury item and in decoration is a reflection of the social hierarchy wishing to show off their wealth and power. This led to rivalry in the creation of sumptuous spaces and decoration in their villas. With the construction of aqueducts, the domus in Rome which maintained the impluvia and compluvia and also the cisterns, but started to introduce pools, gardens and fountains as decoration. These would be smaller or more monumental. They also introduced bathing pools in the areas reserved for ablutions. The most frequently eaten meat in the Roman period in Spain was rabbit meat. The animals were not bred in captivity but were wild hares or rabbits. Pliny even explained that the name Hispania came from the Carthaginian term i-sephan-in, meaning “land of animals”. Catullus, with equal exaggeration, alluded to the Celt-Iberian canicularium as a negative expression of the peninsula. There must be something in this, as the Emperor Hadrian, a native of Spain, had the image of a rabbit engraved on his coins. Notes: - The piece includes authenticity certificate. - The piece includes Spanish Export License (Passport for European Union) . - According to Spanish legislation, items sent outside the European Union are subject to export taxes and will be added to the invoice, at the buyer's expense. These export fees are fixed on the final auction price and the tax rate is not applied directly on the total value of the item to be exported, but rather the different percentages by sections are applied to it: - Up to 6,000 euros: 5%. - From 6. 001 to 60. 000 euros: 10%. This export permit application process can take between 1-2 months maximum. - The seller guarantees that he acquired this piece according to all national and international laws related to the ownership of cultural property. Provenance statement seen by Catawiki.

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Time, Location
23 Oct 2021
Spain
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