André Lanskoy Exclamation
André Lanskoy
1902-1976
Exclamation
signed ; titled on the reverse
oil on canvas
60 x 73 cm ; 23 5/8 x 28 ¾ in.
Executed in 1958.
This work is accompanied by a letter of inclusion in the forthcoming André Lanskoy Catalogue Raisonné.
_________________________________________________________
André Lanskoy
1902-1976
Exclamation
signé; titré au dos
huile sur toile
60 x 73 cm ; 23 5/8 x 28 ¾ in.
Exécuté en 1958.
Cette oeuvre est accompagnée d'un avis d'inclusion au Catalogue Raisonné d'André Lanskoy actuellement en préparation.
Condition Report:
The work was inspected in its frame. Upon close inspection, there is dust on the crevices and the surface is slightly dusty. The impasto is rich and well-preserved. Upon extremely close inspection, there are tiny losses on the protruding elements on the impasto in places. There are tiny drying craquelures on the impasto. Under ultraviolet light examination, there is no evidence of retouching. This work is in overall very good condition.
Provenance:
Galerie Louis Carré, Paris
Private Collection, France
__________________________________
Galerie Louis Carré, Paris
Collection Particulière, France
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André Lanskoy
1902-1976
Exclamation
signed ; titled on the reverse
oil on canvas
60 x 73 cm ; 23 5/8 x 28 ¾ in.
Executed in 1958.
This work is accompanied by a letter of inclusion in the forthcoming André Lanskoy Catalogue Raisonné.
_________________________________________________________
André Lanskoy
1902-1976
Exclamation
signé; titré au dos
huile sur toile
60 x 73 cm ; 23 5/8 x 28 ¾ in.
Exécuté en 1958.
Cette oeuvre est accompagnée d'un avis d'inclusion au Catalogue Raisonné d'André Lanskoy actuellement en préparation.
Condition Report:
The work was inspected in its frame. Upon close inspection, there is dust on the crevices and the surface is slightly dusty. The impasto is rich and well-preserved. Upon extremely close inspection, there are tiny losses on the protruding elements on the impasto in places. There are tiny drying craquelures on the impasto. Under ultraviolet light examination, there is no evidence of retouching. This work is in overall very good condition.
Provenance:
Galerie Louis Carré, Paris
Private Collection, France
__________________________________
Galerie Louis Carré, Paris
Collection Particulière, France