André Masson Lieu sacrificiel
Property from a Private Italian Collection
André Masson
1896-1987
Lieu sacrificiel
signed andré masson (lower right); titled Lieu sacrificiel and dated 1970 (on the reverse)
oil on canvas
97 x 130 cm; 38¼ x 51⅛ in.
Painted in 1970.
The authenticity of this work has been confirmed by the Comité Masson.
__________________________________________________________________________
Provenant d'une Collection Particulière Italienne
André Masson
1896-1987
Lieu sacrificiel
signé andré masson (en bas à droite); titré Lieu sacrificiel et daté 1970 (au dos)
huile sur toile
97 x 130 cm; 38¼ x 51⅛ in.
Peint en 1970.
L'authenticité de cette œuvre a été confirmée par le Comité Masson.
Condition Report:
This work was examined framed. The canvas is unlined, the edges are taped and inspection under UV light reveals no obvious signs of retouching. There are a few very fine lines of craquelure to some of the black ink, only visible upon extremely close inspection. There is some very light historic frame abrasion to the extreme edges. This work is in overall very good condition.
Provenance:
Galerie Louise Leiris, Paris
Galleria Schwarz, Milano
Galleria il Collezionista, Roma
Contini Galleria d'Arte, Venice
Acquired from the above by the present owner
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Auction House
Property from a Private Italian Collection
André Masson
1896-1987
Lieu sacrificiel
signed andré masson (lower right); titled Lieu sacrificiel and dated 1970 (on the reverse)
oil on canvas
97 x 130 cm; 38¼ x 51⅛ in.
Painted in 1970.
The authenticity of this work has been confirmed by the Comité Masson.
__________________________________________________________________________
Provenant d'une Collection Particulière Italienne
André Masson
1896-1987
Lieu sacrificiel
signé andré masson (en bas à droite); titré Lieu sacrificiel et daté 1970 (au dos)
huile sur toile
97 x 130 cm; 38¼ x 51⅛ in.
Peint en 1970.
L'authenticité de cette œuvre a été confirmée par le Comité Masson.
Condition Report:
This work was examined framed. The canvas is unlined, the edges are taped and inspection under UV light reveals no obvious signs of retouching. There are a few very fine lines of craquelure to some of the black ink, only visible upon extremely close inspection. There is some very light historic frame abrasion to the extreme edges. This work is in overall very good condition.
Provenance:
Galerie Louise Leiris, Paris
Galleria Schwarz, Milano
Galleria il Collezionista, Roma
Contini Galleria d'Arte, Venice
Acquired from the above by the present owner