Andrea Imwiehe - Große Wäsche_09

Artist: Andrea Imwiehe
Technique: Acryl auf Holz
Signature: Hand signed

Andrea Imwiehe, winner of the art prize of the AOK Nordost, Berlin/Brandenburg and scholarship holder of the Künstlerhaus Lukas in Ahrenshoop, is a graduate of the Hb. K Braunschweig Art Academy. She has been passionate about painting since her youth and now lives and works in a studio in the old imperial post office in the heart of Berlin.

Her acrylic paintings are inspired by her own memories but go beyond them. Her aim is to create an atmosphere through painting.
Her works of art are now part of numerous private collections and have been shown in galleries, museums and renowned art exhibitions.

https: //artfacts. net/artist/andrea-imwiehe/383311
Instagram: https: //www. instagram. com/andreaimwiehe/
Website: https: //www. andrea-imwiehe. de/

All works are painted on high-quality wooden paints and are ready to hang.

All images are signed on the back, numbered and have a sticker with all image information.

Shipped professionally packaged in tissue paper and bubble wrap

Andrea Imwiehe is an archaeologist of memory. What she deals with - the colors she chooses, the lines she sets and the motifs she chooses - orbit this vague field in which the lost and the past are preserved - and recreated! Because memory is not a drawer in which what has once been stored there can be pulled out again untouched, but rather every memory is a reconstruction that is created anew at the respective moment. These paintings also have to do with a reconstruction intention: they point to a lost world and isolated things whose meaning has become questionable, but which are, however, treated in such a special way that they invite not only the artist but also the viewer to to resurrect their vanished context. (. . .)
The painter starts from her own concrete memories and objects that have a personal meaning for her, but without turning them into a personal mythology that the viewer would have to imagine. Rather, she turns the objects into a supra-personal and general dimension through the separation and careful, detailed individual presentation that our own experiences and images are awakened in us. Because the context of their lives is not fully developed - where these free-floating, collage-like motif fields are actually located in the picture surface is completely undetermined.
They float on a homogeneous colored surface that consists of three to four layers of color placed one on top of the other, at the bottom of which you can see narrow stripes that surround the picture like a frame of its own. Here too we have an analogy with memory, in which new layers are formed day after day. You can never see the past as a whole again, but only in parts. (Dr Anette Naumann)