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LOT 13 B

Andy Warhol (1928-1987), Sixty Last Suppers

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Andy Warhol (1928-1987)
Sixty Last Suppers
numbered twice 'PA82.020' (on the overlap); numbered again 'PA82.020' (on the stretcher)
acrylic and silkscreen ink on canvas
116 x 393 in. (294.6 x 998.2 cm.)
Painted in 1986.

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Inc., New York
Ayn Foundation, New York
Acquired from the above by the present owner

Literature
Andy Warhol: A Retrospective, exh. cat., New York, Museum of Modern Art, 1989, p. 391, no. 446 (illustrated in color).
E. Shanes, Warhol, London, 1993, pp. 134-135 and 144 (illustrated).
Andy Warhol: Art from Art, exh. cat., Cologne, Exhibition hall Edition Schellmann, 1994, pp. 74-77, no. 61, (illustrated in color).
"Goings on About Town; Art," The New Yorker, vol. 70, no. 33, 17 October 1994, p. 26.
J. D. Dillenberger, "Warhol and Leonardo in Milan," Religion and the Arts, vol. 1, no. 1, Fall 1996, pp. 50-53, fig. 12 and 13 (illustrated).
P. Egri, Modern Games with Renaissance Forms: From Leonardo and Shakespeare to Warhol and Stoppard, Budapest, 1996, p. 24.
J. M. Faerna, Andy Warhol, New York, 1997, pp. 56-57, pl. 50 (illustrated in color).
R. M. Herbenick, Andy Warhol's Religious and Ethnic Roots: The Carpartho-Rusyn Influence on His Art, Lewiston, 1997, p. 100.
J. D. Dillenberger, The Religious Art of Andy Warhol, New York, 1998, pp. 116-119, no. 79 (illustrated in color).
J. T. Nealon, Alterity Politics: Ethics and Performative Subjectivity, Durham, 1998, pp. 109-110, fig. 17 (illustrated).
P. Conrad, Modern Times, Modern Places, New York, 1999, p. 715.
L. Cirlot, Andy Warhol, Hondarribia, 2001, p. 71.
E. Shanes, Warhol: The Life and Masterworks, New York, 2004, pp. 188-189 and 207 (illustrated in color).
J. Beck, "Andy Warhol's Sixty Last Suppers," Gagosian Quarterly, Summer 2017, pp. 80-88 (illustrated in color).

Exhibited
New York, Leo Castelli Gallery, Andy Warhol, June-July 1987.
New York, Dia Center for the Arts, The Last Supper Paintings, September 1994-June 1995, n.p., no. 5.
Munich, Bayerische Staatsgemaldesammlungen/Staatsgalerie moderner Kunst, Andy Warhol. The Last Supper, May-September 1998, pp. 74-75 and 143, no. 15 (illustrated in color).
New York, Guggenheim Museum SoHo, Andy Warhol: The Last Supper, June 1999-Summer 2001.
Abu Dhabi, Arts Abu Dhabi Gallery, RSTW: from the Private Collection of Larry Gagosian, September 2010-January 2011, n.p. (illustrated in color).
Milan, Museo del Novecento, Andy Warhol: Sixty Last Suppers, March-May 2017.

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[ translate ]

Andy Warhol (1928-1987)
Sixty Last Suppers
numbered twice 'PA82.020' (on the overlap); numbered again 'PA82.020' (on the stretcher)
acrylic and silkscreen ink on canvas
116 x 393 in. (294.6 x 998.2 cm.)
Painted in 1986.

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
The Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Inc., New York
Ayn Foundation, New York
Acquired from the above by the present owner

Literature
Andy Warhol: A Retrospective, exh. cat., New York, Museum of Modern Art, 1989, p. 391, no. 446 (illustrated in color).
E. Shanes, Warhol, London, 1993, pp. 134-135 and 144 (illustrated).
Andy Warhol: Art from Art, exh. cat., Cologne, Exhibition hall Edition Schellmann, 1994, pp. 74-77, no. 61, (illustrated in color).
"Goings on About Town; Art," The New Yorker, vol. 70, no. 33, 17 October 1994, p. 26.
J. D. Dillenberger, "Warhol and Leonardo in Milan," Religion and the Arts, vol. 1, no. 1, Fall 1996, pp. 50-53, fig. 12 and 13 (illustrated).
P. Egri, Modern Games with Renaissance Forms: From Leonardo and Shakespeare to Warhol and Stoppard, Budapest, 1996, p. 24.
J. M. Faerna, Andy Warhol, New York, 1997, pp. 56-57, pl. 50 (illustrated in color).
R. M. Herbenick, Andy Warhol's Religious and Ethnic Roots: The Carpartho-Rusyn Influence on His Art, Lewiston, 1997, p. 100.
J. D. Dillenberger, The Religious Art of Andy Warhol, New York, 1998, pp. 116-119, no. 79 (illustrated in color).
J. T. Nealon, Alterity Politics: Ethics and Performative Subjectivity, Durham, 1998, pp. 109-110, fig. 17 (illustrated).
P. Conrad, Modern Times, Modern Places, New York, 1999, p. 715.
L. Cirlot, Andy Warhol, Hondarribia, 2001, p. 71.
E. Shanes, Warhol: The Life and Masterworks, New York, 2004, pp. 188-189 and 207 (illustrated in color).
J. Beck, "Andy Warhol's Sixty Last Suppers," Gagosian Quarterly, Summer 2017, pp. 80-88 (illustrated in color).

Exhibited
New York, Leo Castelli Gallery, Andy Warhol, June-July 1987.
New York, Dia Center for the Arts, The Last Supper Paintings, September 1994-June 1995, n.p., no. 5.
Munich, Bayerische Staatsgemaldesammlungen/Staatsgalerie moderner Kunst, Andy Warhol. The Last Supper, May-September 1998, pp. 74-75 and 143, no. 15 (illustrated in color).
New York, Guggenheim Museum SoHo, Andy Warhol: The Last Supper, June 1999-Summer 2001.
Abu Dhabi, Arts Abu Dhabi Gallery, RSTW: from the Private Collection of Larry Gagosian, September 2010-January 2011, n.p. (illustrated in color).
Milan, Museo del Novecento, Andy Warhol: Sixty Last Suppers, March-May 2017.

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Sale price
Unlock
Time, Location
15 Nov 2017
USA, New York, NY
Auction House
Unlock