Andy Warhol (American, 1928-1987) - Kids on Swings

Andy Warhol (American, 1928-1987) - Kids on Swings

Tempera, pencil and ink on Masonite.
Executed in 1946.
30 x 26 in. (76.2 x 66cm)

Provenance

The Estate of Philip Pearlstein.

Exhibition

“Pearlstein | Warhol | Cantor: from Carnegie Tech to New York,” Betty Cuningham Gallery, New York, May 30-September 6, 2015.

Literature

Pearlstein | Warhol | Cantor: from Carnegie Tech to New York, Pittsburgh: The Andy Warhol Museum, in partnership with Betty Cuningham Gallery, New York, 2015, p. 38 (illus.).

Lot Essay

Philip Pearlstein (1924-2022) was a celebrated American painter renowned for his realist depictions of the human figure. His distinctive style often features nude models posed in stark, geometric compositions, devoid of narrative context or sentimentality. Pearlstein's meticulous attention to detail and exploration of form solidified his reputation as a leading figure in contemporary figurative art.

Born and raised in Pittsburgh, Pennsylvania, Pearlstein attended Carnegie Institute of Technology (now Carnegie Mellon University) in the 1940s. It was here that he met his future wife and fellow artist, Dorothy Cantor. Another notable classmate was Andy Warhol, and the three became lifelong friends. In fact, Pearlstein became a mentor figure to the artist during their time together in art school and their friendship played a significant role in shaping Warhol’s early artistic career.

Warhol’s early paintings have remained relatively obscure, and only number around 14 known works. There is also a collection of drawings from his college days, housed at The Warhol Museum in Pittsburgh, which offers glimpses into his early artistic development in the 1940s, and includes sketches of animals from the Pittsburgh Zoo and scenes of daily life.

It was during this time that Warhol painted Kids on Swings (1946), which was included as part of Pearlstein | Warhol | Cantor: from Carnegie Tech to New York at the Betty Cuningham Gallery in 2015, as well as his Still Life from 1948. Both works were part of Pearlstein’s personal art collection, and further illustrate this close friendship. Their bond deepened as they both ventured into the vibrant art scene of New York City in the 1950s. Warhol was even in the wedding party for Pearlstein and Cantor’s betrothal in 1950.

Although Warhol's trajectory eventually diverged from Pearlstein's - with Warhol delving into the realm of Pop Art and Pearlstein pursuing a career as a figurative painter - their friendship remained a constant source of inspiration and support. Pearlstein's influence on Warhol's early career underscores the importance of mentorship and camaraderie in the artistic journey shared by 20th century's most iconic figures.