Andy Warhol (after), a square coffee table
Andy Warhol (after), a square coffee table, painted wood, the top inset with a silkscreen of flowers after Warhol, published by Sunday B. Morning, late 20th century, 34cm high, 91cm x 91cm
Provenance: Lamberty Art & Design, selected items from the storages.
Condition Report:
Though Sunday B. Morning essentially publish reproductions of Andy Warhol's prints, the connection between the iconic pop artist and this small Belgian printmaking studio is an interesting one. In 1970 Warhol, true to his enduring fascination with the reproducibility of art, partnered with the studio in order to produce additional series of his 1960s prints, including Marilyn, Flowers and others. However, after sending the photo negatives for the silkscreens over to Belgium, Warhol apparently changed his mind. This did not stop Sunday B. Morning from printing editions of 250 prints each during the 1970s. Andy Warhol, dismayed, is known to have signed several Sunday B. Morning prints he came across with 'This is not by me. Andy Warhol' making them, conversely, even more desirable. The Belgian studio stopped printing reproductions before picking up activity again in the 1990s. The later editions, such as the print covering the present table, are distinguished from the earlier editions by the use of a blue Sunday B. Morning stamp, as opposed to the original black one
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Andy Warhol (after), a square coffee table, painted wood, the top inset with a silkscreen of flowers after Warhol, published by Sunday B. Morning, late 20th century, 34cm high, 91cm x 91cm
Provenance: Lamberty Art & Design, selected items from the storages.
Condition Report:
Though Sunday B. Morning essentially publish reproductions of Andy Warhol's prints, the connection between the iconic pop artist and this small Belgian printmaking studio is an interesting one. In 1970 Warhol, true to his enduring fascination with the reproducibility of art, partnered with the studio in order to produce additional series of his 1960s prints, including Marilyn, Flowers and others. However, after sending the photo negatives for the silkscreens over to Belgium, Warhol apparently changed his mind. This did not stop Sunday B. Morning from printing editions of 250 prints each during the 1970s. Andy Warhol, dismayed, is known to have signed several Sunday B. Morning prints he came across with 'This is not by me. Andy Warhol' making them, conversely, even more desirable. The Belgian studio stopped printing reproductions before picking up activity again in the 1990s. The later editions, such as the print covering the present table, are distinguished from the earlier editions by the use of a blue Sunday B. Morning stamp, as opposed to the original black one
