BARBARA KRUGER | UNTITLED (WHAT IS HELL LIKE?)
Works from A Prominent New York Collection
BARBARA KRUGER
b. 1945
UNTITLED (WHAT IS HELL LIKE?)
stamped with the artist's signature on the reverse
engraved magnesium
12⅛ by 11⅞ in. (30.8 by 30.1 cm.)
Executed in 1994, this work is an artist's proof.
Condition Report:
This work is in very good condition overall. The edges of the metal are irregular, inherent to the artist's chosen media. There is some faint discoloration and oxidation to the silver areas, possibly inherent to the artist's chosen media. There are a few minor abrasion marks, most notably at the lower right corner, along the upper left edge, and at the inner chin of the figure, visible upon close inspection. There are minor scattered scratches, most notably along the red border, visible upon close inspection. There is a very faint pinpoint indentation 3/4 inches above the left shoulder, visible upon close inspection. Under ultraviolet light, there is no evidence of restoration. Unframed.
Provenance:
Mary Boone Gallery, New York
Guild Hall Museum, East Hampton, New York
Acquired from the above by the present owner
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Works from A Prominent New York Collection
BARBARA KRUGER
b. 1945
UNTITLED (WHAT IS HELL LIKE?)
stamped with the artist's signature on the reverse
engraved magnesium
12⅛ by 11⅞ in. (30.8 by 30.1 cm.)
Executed in 1994, this work is an artist's proof.
Condition Report:
This work is in very good condition overall. The edges of the metal are irregular, inherent to the artist's chosen media. There is some faint discoloration and oxidation to the silver areas, possibly inherent to the artist's chosen media. There are a few minor abrasion marks, most notably at the lower right corner, along the upper left edge, and at the inner chin of the figure, visible upon close inspection. There are minor scattered scratches, most notably along the red border, visible upon close inspection. There is a very faint pinpoint indentation 3/4 inches above the left shoulder, visible upon close inspection. Under ultraviolet light, there is no evidence of restoration. Unframed.
Provenance:
Mary Boone Gallery, New York
Guild Hall Museum, East Hampton, New York
Acquired from the above by the present owner