BERNARDO BELLOTTO | DRESDEN, A VIEW OF THE MOAT OF THE ZWINGER

Property from the Collection formed by Max Emden (1874–1940)
BERNARDO BELLOTTO
Venice 1722 - 1780 Warsaw
DRESDEN, A VIEW OF THE MOAT OF THE ZWINGER

oil on canvas
48.3 by 80.4 cm.; 19 by 31⅝ in.

Condition Report:
The following condition report is provided by Hamish Dewar who is an external specialist and not an employee of Sotheby's:

Bernardo Bellotto
View of Zwinger Canal, Dresden
oil on canvas

Structural Condition
The canvas has been lined and has successfully secured the overall pattern of fine lines of drying craquelure. The structural condition would appear to be sound and secure. There is an upper horizontal stretcher-bar line which is entirely stable.

Paint surface
The paint surface has an even varnish layer. Inspection under ultraviolet light shows a few, small scattered retouchings including some on the lower left vertical framing edge and around the other framing edges, an area in the water in the lower left of the composition which measures approximately 1 x 0.5 cm and other minimal spots and lines of inpainting. There may be further retouchings that I could not identify under ultraviolet light. It is very encouraging to note that the fine detail of the composition appears to be very well preserved.

Summary
The painting would therefore appear to be in very good and stable condition and no further work is required

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Provenance:
Private collection of the Duke of Saxe-Anhalt until 1925

With Galerie Bachstitz, Berlin, 1928

With Arthur Tooth, London

Max Emden, Hamburg, Germany

With Karl Haberstock, Berlin, acquired 30 June 1938 (inventory no. 1938/125)

Reichskanzlei, Berlin, acquired June 1938 (Führer inventory 115)

In store, Alt Ausee, Austria (number 1447)

Munich Central Collecting Point (number 1648), 15 January 1946

Treuhandverwaltung für Kulturgut, Munich

Office of the Federal President, Bonn, on loan since 1961

Restituted to the heirs of Max Emden, 2019