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LOT 61 A

Barbara Hepworth (1903-1975), Young Girl

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Barbara Hepworth (1903-1975)
Young Girl
West African mahogany
Height: 62 5/8 in. (158.6 cm.)
Carved and painted in 1951-1952; unique

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
Cyril S. Reddihough, Ilkley, Yorkshire (acquired from the artist, 1953).
Marlborough Fine Art, Ltd., London (acquired from the above, 1976).
Herbert A. Fogel, Philadelphia (acquired from the above, April 1976).
Anon. sale, Sotheby’s, New York, 4 November 1993, lot 354.
Acquired at the above sale by the present owner.

Pre-Lot Text
Property from a Private American Collection

Literature
"Review of Lefevre Gallery Exhibition" in Evening News: Night Special Edition, 2 October 1952.
"Sculpture Exhibition: Miss Barbara Hepworth’s New Works" in The Times, 7 October 1952.
M.H. Middleton, "Art" in The Spectator, 10 October 1952.
Q. Bell, "Round the London Galleries" in The Listener, 16 October 1952, p. 644 (illustrated).
J.P. Hodin, Barbara Hepworth, New York, 1961, p. 167, no. 176 (illustrated).
A.M. Hammacher, The Sculpture of Barbara Hepworth, New York, 1968, p. 115.
"Dame Barbara's Staggering Birthday 'Family' Sculpture" in Bradford Telegraph, 18 April 1972.
J.P. Hodin, John Milne: Sculptor, Life and Work, London, 1977, p. 80.
A.M. Hammacher, Barbara Hepworth: Revised Edition, New York, 1998, p. 115.
S. Festing, Barbara Hepworth: A Life of Forms, New York, 1995, p. 204.
C. Lampert, et al., The Whitechapel Art Gallery Centenary Review: 1901-2001, Manchester, 2001, p. 46 (illustrated in color in situ in the 1954 Whitechapel exhibition).
S. Bowness, ed., Barbara Hepworth: Writings and Conversations, London, 2015, p. 95 (illustrated in color in situ in the 1954 Whitechapel exhibition, fig. 22).

Exhibited
(probably) St. Ives, Penwith Gallery, Summer Exhibition, 1952, no. 118 (titled Girl).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), New Sculpture and Drawings by Barbara Hepworth, October 1952, no. 5 (illustrated).
London, Whitechapel Art Gallery, Barbara Hepworth: A Retrospective Exhibition of Carvings and Drawings from 1927 to 1954, April-June 1954, p. 28, no. 149.
Eccles, Monk's Hall Museum, A Tribute to L.S. Lowry, October 1964, p. 27, no. 9 (illustrated).

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[ translate ]

Barbara Hepworth (1903-1975)
Young Girl
West African mahogany
Height: 62 5/8 in. (158.6 cm.)
Carved and painted in 1951-1952; unique

Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee.
Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. In most cases, Christie’s compensates the third party in exchange for accepting this risk with remuneration based on a fixed fee if the third party is the successful bidder or, if the third party is not the successful bidder, either a fixed fee or an amount calculated against the lot’s hammer price. The third party may also bid for the lot above the written bid. Where the third party is the successful bidder, Christie’s will report the final purchase price net of the fixed financing fee for taking on the guarantee risk.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot. This is a lot where Christie’s holds a direct financial guarantee interest that is backed by a third party’s irrevocable bid.

Provenance
Cyril S. Reddihough, Ilkley, Yorkshire (acquired from the artist, 1953).
Marlborough Fine Art, Ltd., London (acquired from the above, 1976).
Herbert A. Fogel, Philadelphia (acquired from the above, April 1976).
Anon. sale, Sotheby’s, New York, 4 November 1993, lot 354.
Acquired at the above sale by the present owner.

Pre-Lot Text
Property from a Private American Collection

Literature
"Review of Lefevre Gallery Exhibition" in Evening News: Night Special Edition, 2 October 1952.
"Sculpture Exhibition: Miss Barbara Hepworth’s New Works" in The Times, 7 October 1952.
M.H. Middleton, "Art" in The Spectator, 10 October 1952.
Q. Bell, "Round the London Galleries" in The Listener, 16 October 1952, p. 644 (illustrated).
J.P. Hodin, Barbara Hepworth, New York, 1961, p. 167, no. 176 (illustrated).
A.M. Hammacher, The Sculpture of Barbara Hepworth, New York, 1968, p. 115.
"Dame Barbara's Staggering Birthday 'Family' Sculpture" in Bradford Telegraph, 18 April 1972.
J.P. Hodin, John Milne: Sculptor, Life and Work, London, 1977, p. 80.
A.M. Hammacher, Barbara Hepworth: Revised Edition, New York, 1998, p. 115.
S. Festing, Barbara Hepworth: A Life of Forms, New York, 1995, p. 204.
C. Lampert, et al., The Whitechapel Art Gallery Centenary Review: 1901-2001, Manchester, 2001, p. 46 (illustrated in color in situ in the 1954 Whitechapel exhibition).
S. Bowness, ed., Barbara Hepworth: Writings and Conversations, London, 2015, p. 95 (illustrated in color in situ in the 1954 Whitechapel exhibition, fig. 22).

Exhibited
(probably) St. Ives, Penwith Gallery, Summer Exhibition, 1952, no. 118 (titled Girl).
London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), New Sculpture and Drawings by Barbara Hepworth, October 1952, no. 5 (illustrated).
London, Whitechapel Art Gallery, Barbara Hepworth: A Retrospective Exhibition of Carvings and Drawings from 1927 to 1954, April-June 1954, p. 28, no. 149.
Eccles, Monk's Hall Museum, A Tribute to L.S. Lowry, October 1964, p. 27, no. 9 (illustrated).

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Sale price
Unlock
Estimate
Unlock
Time, Location
13 Nov 2017
USA, New York, NY
Auction House
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