Bloemaert (Cornelis, circa 1603-1692). The Temptation of St. Anthony
Bloemaert (Cornelis, circa 1603-1692). The Temptation of St. Anthony, engraving on laid paper, after Abraham Bloemaert, with engraved inscription at foot 'Daemonis Antoni Frustra & verbera tentant, Nam praecibus vincis praebet solamina Christus', one or two faint creases, trimmed to plate mark, sheet size 163 x 110mm, together with four other smaller copper engravings, including Lucas van Leyden, St. Andrew, circa 1510 [but later], a copy in reverse on laid paper, trimmed to plate mark (see new Hollstein 89, Marcantonio Raimondi, The Last Supper after the woodcut from the Small Passion by Albrecht Durer), a copy in reverse on laid paper, and two engravings after Hans Sebald Beham (Fortuna, and Standard Bearer and Drama), probably 19th century
(Qty: 5)
Hollstein, Dutch 39a.
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Bloemaert (Cornelis, circa 1603-1692). The Temptation of St. Anthony, engraving on laid paper, after Abraham Bloemaert, with engraved inscription at foot 'Daemonis Antoni Frustra & verbera tentant, Nam praecibus vincis praebet solamina Christus', one or two faint creases, trimmed to plate mark, sheet size 163 x 110mm, together with four other smaller copper engravings, including Lucas van Leyden, St. Andrew, circa 1510 [but later], a copy in reverse on laid paper, trimmed to plate mark (see new Hollstein 89, Marcantonio Raimondi, The Last Supper after the woodcut from the Small Passion by Albrecht Durer), a copy in reverse on laid paper, and two engravings after Hans Sebald Beham (Fortuna, and Standard Bearer and Drama), probably 19th century
(Qty: 5)
Hollstein, Dutch 39a.