Bonhomme
Bonhomme
MATTHIEU BONHOMME
LUCKY LUKE (AS SEEN BY...)
Lucky Luke’s Long March,
Bulle au Mans 2026
Original cover. Signed.
India ink, colored inks, and gouache on paper
35.8 × 51.4 cm (14.09 × 20.24 in.)
Here is an unusual scene: it is not Lucky Luke chasing the Daltons, but the Daltons chasing our hero. The scene is divided into three panels. Lucky Luke gallops ahead. The Daltons are in hot pursuit, with a majestic mountain in the background—its colors paradoxically soft, almost soothing—contrasting with the high-stakes chase unfolding below. The low-angle framing draws us even deeper into the heart of the scene.
“I wanted a very dynamic version, with Lucky Luke galloping toward us, to create movement and intensity. I played on the contrast between the hero’s warm colors and the much paler background. We see a very angry Joe, while Averell is completely out of it. He’s looking away, not understanding why he’s there.” M.B.
Bonhomme
MATTHIEU BONHOMME
LUCKY LUKE (AS SEEN BY...)
Lucky Luke’s Long March,
Bulle au Mans 2026
Original cover. Signed.
India ink, colored inks, and gouache on paper
35.8 × 51.4 cm (14.09 × 20.24 in.)
Here is an unusual scene: it is not Lucky Luke chasing the Daltons, but the Daltons chasing our hero. The scene is divided into three panels. Lucky Luke gallops ahead. The Daltons are in hot pursuit, with a majestic mountain in the background—its colors paradoxically soft, almost soothing—contrasting with the high-stakes chase unfolding below. The low-angle framing draws us even deeper into the heart of the scene.
“I wanted a very dynamic version, with Lucky Luke galloping toward us, to create movement and intensity. I played on the contrast between the hero’s warm colors and the much paler background. We see a very angry Joe, while Averell is completely out of it. He’s looking away, not understanding why he’s there.” M.B.
