Cai Zhaotang (19th century) Calligraphy in Running Style
Cai Zhaotang (19th century)
Calligraphy in Running Style
Ink on paper, album leaf
Inscribed and signed Cai Zhaotang, with one seal of the artist, and a dedication
Dated bingzi year 1876
54.5cm wide
蔡召棠 行書 水墨紙本 冊頁 一八七六年作
款識:唐初學者,首重歐虞。至於中葉,盛稱顏柳,皆以勁健為宗,而柳更清瘦。元秘塔是極矜練之作,此本為有明內庫宋本,除斷蝕外,所有鋒鍔纖毫不失,令石在關中已頹甚矣。碑文裴休所作,休深於禪理,而此文但侈陳大達思遇文亦方幅鮮義味,唐文粹收之殊不可曉,元秘塔書風神遒厚骨,韻清華不比符越州等碑,猶有鼓努之跡。也曾見明內庫宋拓本,和明圓朗,與歐虞實是異曲同工。此冊明初拓,腴不剩肉,瘦不剩骨,較近刻癡悍者,絕殊良足珍也。元秘塔跋語二則。蓮舟仁兄大人屬。丙子(1876)夏仲蔡召棠。
鈐印:聽香六十以後所書
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Cai Zhaotang (19th century)
Calligraphy in Running Style
Ink on paper, album leaf
Inscribed and signed Cai Zhaotang, with one seal of the artist, and a dedication
Dated bingzi year 1876
54.5cm wide
蔡召棠 行書 水墨紙本 冊頁 一八七六年作
款識:唐初學者,首重歐虞。至於中葉,盛稱顏柳,皆以勁健為宗,而柳更清瘦。元秘塔是極矜練之作,此本為有明內庫宋本,除斷蝕外,所有鋒鍔纖毫不失,令石在關中已頹甚矣。碑文裴休所作,休深於禪理,而此文但侈陳大達思遇文亦方幅鮮義味,唐文粹收之殊不可曉,元秘塔書風神遒厚骨,韻清華不比符越州等碑,猶有鼓努之跡。也曾見明內庫宋拓本,和明圓朗,與歐虞實是異曲同工。此冊明初拓,腴不剩肉,瘦不剩骨,較近刻癡悍者,絕殊良足珍也。元秘塔跋語二則。蓮舟仁兄大人屬。丙子(1876)夏仲蔡召棠。
鈐印:聽香六十以後所書