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Cai Zhaotang (19th century) Calligraphy in Running Style

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Cai Zhaotang (19th century)
Calligraphy in Running Style
Ink on paper, album leaf
Inscribed and signed Cai Zhaotang, with one seal of the artist, and a dedication
Dated bingzi year 1876
54.5cm wide
蔡召棠 行書 水墨紙本 冊頁 一八七六年作

款識:唐初學者,首重歐虞。至於中葉,盛稱顏柳,皆以勁健為宗,而柳更清瘦。元秘塔是極矜練之作,此本為有明內庫宋本,除斷蝕外,所有鋒鍔纖毫不失,令石在關中已頹甚矣。碑文裴休所作,休深於禪理,而此文但侈陳大達思遇文亦方幅鮮義味,唐文粹收之殊不可曉,元秘塔書風神遒厚骨,韻清華不比符越州等碑,猶有鼓努之跡。也曾見明內庫宋拓本,和明圓朗,與歐虞實是異曲同工。此冊明初拓,腴不剩肉,瘦不剩骨,較近刻癡悍者,絕殊良足珍也。元秘塔跋語二則。蓮舟仁兄大人屬。丙子(1876)夏仲蔡召棠。
鈐印:聽香六十以後所書


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18 Apr 2024
Australia, Sydney
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[ translate ]

Cai Zhaotang (19th century)
Calligraphy in Running Style
Ink on paper, album leaf
Inscribed and signed Cai Zhaotang, with one seal of the artist, and a dedication
Dated bingzi year 1876
54.5cm wide
蔡召棠 行書 水墨紙本 冊頁 一八七六年作

款識:唐初學者,首重歐虞。至於中葉,盛稱顏柳,皆以勁健為宗,而柳更清瘦。元秘塔是極矜練之作,此本為有明內庫宋本,除斷蝕外,所有鋒鍔纖毫不失,令石在關中已頹甚矣。碑文裴休所作,休深於禪理,而此文但侈陳大達思遇文亦方幅鮮義味,唐文粹收之殊不可曉,元秘塔書風神遒厚骨,韻清華不比符越州等碑,猶有鼓努之跡。也曾見明內庫宋拓本,和明圓朗,與歐虞實是異曲同工。此冊明初拓,腴不剩肉,瘦不剩骨,較近刻癡悍者,絕殊良足珍也。元秘塔跋語二則。蓮舟仁兄大人屬。丙子(1876)夏仲蔡召棠。
鈐印:聽香六十以後所書

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18 Apr 2024
Australia, Sydney
Auction House
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