Carlos Cruz-Diez Physichromie n°448
Carlos Cruz-Diez
1923 - 2019
Physichromie n°448
signed, stamped with the titled and dated Avr. 1969 (on the reverse)
acrylic on plastic, plastic strips, wood
75,6 x 46,4 cm; 29⅝ x 18⅜ in.
Executed in 1969.
The authenticity of this work has been confirmed by the Atelier Cruz-Diez.
________________________________________________________________
Carlos Cruz-Diez
1923 - 2019
Physichromie n°448
signé, porte le tampon du titre et daté Avr. 1969 (au dos)
acrylique sur plastique, lamelles de plastique, bois
75,6 x 46,4 cm ; 29⅝ x 18⅜ in.
Exécuté en 1969.
L'authenticité de cette oeuvre a été confirmée par l'Atelier Cruz-Diez.
Condition Report:
There are some signs of oxidation along the edges of the metal frame, particularly along the upper and lower edges. Upon close inspection, there are some scratches to the plastic elements. A fine layer of dust has settled across the surface of the piece. The frame could benefit from an intervention as it shows some signs of wear and is covered with masking tape. Inspection under UV light reveals no signs of retouching.
Provenance:
Galerie Denise René, Paris
Acquired from the above by the present owner
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Carlos Cruz-Diez
1923 - 2019
Physichromie n°448
signed, stamped with the titled and dated Avr. 1969 (on the reverse)
acrylic on plastic, plastic strips, wood
75,6 x 46,4 cm; 29⅝ x 18⅜ in.
Executed in 1969.
The authenticity of this work has been confirmed by the Atelier Cruz-Diez.
________________________________________________________________
Carlos Cruz-Diez
1923 - 2019
Physichromie n°448
signé, porte le tampon du titre et daté Avr. 1969 (au dos)
acrylique sur plastique, lamelles de plastique, bois
75,6 x 46,4 cm ; 29⅝ x 18⅜ in.
Exécuté en 1969.
L'authenticité de cette oeuvre a été confirmée par l'Atelier Cruz-Diez.
Condition Report:
There are some signs of oxidation along the edges of the metal frame, particularly along the upper and lower edges. Upon close inspection, there are some scratches to the plastic elements. A fine layer of dust has settled across the surface of the piece. The frame could benefit from an intervention as it shows some signs of wear and is covered with masking tape. Inspection under UV light reveals no signs of retouching.
Provenance:
Galerie Denise René, Paris
Acquired from the above by the present owner