Cesare Gheduzzi ( Crespellano 1894 - Torino 1944 ) - Due Paesaggi a Soggetto di Montagna
\Artist: Cesare Gheduzzi ( Crespellano 1894 - Torino 1944)
Technique: Oil on panel\Signature: Hand signed
Two mountain landscapes with huts with wide panoramic view, light colours and broad brushstrokes, it is a recurring theme in the painting of C. Gheduzzi. Technique: oil on panel. Signature: signed C. Gheduzzi on bottom left and right. Cesare Gheduzzi studied at the Bologna Academy, he moved to Turin as a teenager, where he attended the studio of Carlo Follini. In 1917 he debuted at the Circle of Artists within the Societa Promotrice. In 1942 she exhibited at the exhibition Arti Figurative della Promotrice delle Belle Arti, Galleria Civica d'Arte Modena in Turin. Frame: golden wood - colour losses shown in the photos. Size with frame: 60 x 45 cm; without frame: 50 x 35 cm. Condition: In good overall condition, it looks antique both upon visual examination and under Wood’s lamp. The pictorial film is overall in good condition (no restorations appeared) . When examined under Wood’s lamp, the signature appears well anchored to the paint. Paintings listed by Arcadja Auction - Pirone Casa d'Aste, lot. 475, Oct. 20,2017.
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\Artist: Cesare Gheduzzi ( Crespellano 1894 - Torino 1944)
Technique: Oil on panel\Signature: Hand signed
Two mountain landscapes with huts with wide panoramic view, light colours and broad brushstrokes, it is a recurring theme in the painting of C. Gheduzzi. Technique: oil on panel. Signature: signed C. Gheduzzi on bottom left and right. Cesare Gheduzzi studied at the Bologna Academy, he moved to Turin as a teenager, where he attended the studio of Carlo Follini. In 1917 he debuted at the Circle of Artists within the Societa Promotrice. In 1942 she exhibited at the exhibition Arti Figurative della Promotrice delle Belle Arti, Galleria Civica d'Arte Modena in Turin. Frame: golden wood - colour losses shown in the photos. Size with frame: 60 x 45 cm; without frame: 50 x 35 cm. Condition: In good overall condition, it looks antique both upon visual examination and under Wood’s lamp. The pictorial film is overall in good condition (no restorations appeared) . When examined under Wood’s lamp, the signature appears well anchored to the paint. Paintings listed by Arcadja Auction - Pirone Casa d'Aste, lot. 475, Oct. 20,2017.