Charles Dehoy (1872-1940) - Vue du parc
\Artist: Charles Dehoy (1872-1940)
Technique: Oil on canvas\Signature: Hand signed\Dimensions: 50_65_0_cm
Charles Dehoy (Brussels 1872-1940) Description : Vue du Parc Medium : Oil on canvas Dimensions : 50 x 65 cm Signature : Signed lower right Self-taught painter having his home and workshop at 13, rue Veydt in Brussels, devotes himself to the representation of landscapes, which he exhibits in salons. First influenced by Impressionism and Luminism, he soon showed himself to be sensitive to the work of the Fauves, in the same way as certain contemporaries, such as Rik Wouters. It was notably through Ferdinand Schirren, whom he met on his return from a trip to the South of France, that he changed his practice. He then took part in this movement which we would later qualify as Brabant Fauvism. He adopts a method that introduces large flat areas of colour into his compositions, which best reproduce the play of light. The outbreak of World War I, however, will interrupt the rise of this artistic movement. A retrospective was dedicated to him in 1941, at the Apollo gallery. Public collections: Royal Museums of Fine Arts of Belgium (Brussels)
View it on
Sale price
Estimate
Time, Location
Auction House
\Artist: Charles Dehoy (1872-1940)
Technique: Oil on canvas\Signature: Hand signed\Dimensions: 50_65_0_cm
Charles Dehoy (Brussels 1872-1940) Description : Vue du Parc Medium : Oil on canvas Dimensions : 50 x 65 cm Signature : Signed lower right Self-taught painter having his home and workshop at 13, rue Veydt in Brussels, devotes himself to the representation of landscapes, which he exhibits in salons. First influenced by Impressionism and Luminism, he soon showed himself to be sensitive to the work of the Fauves, in the same way as certain contemporaries, such as Rik Wouters. It was notably through Ferdinand Schirren, whom he met on his return from a trip to the South of France, that he changed his practice. He then took part in this movement which we would later qualify as Brabant Fauvism. He adopts a method that introduces large flat areas of colour into his compositions, which best reproduce the play of light. The outbreak of World War I, however, will interrupt the rise of this artistic movement. A retrospective was dedicated to him in 1941, at the Apollo gallery. Public collections: Royal Museums of Fine Arts of Belgium (Brussels)
Sale price
Estimate
Time, Location
Auction House
