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Charles–François Daubigny (1817 - Paris - 1878) – Blühender Obstgarten (Le verger) (Orchard in bloom (Le verger))

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Oil on panel, cradled. (c. 1860). 24.7 x 45.3 cm. Signed lower left and with dedication "à mon ami Armand Leleux". Framed.

Provenance: Provenienz: Richard H. Zinser (1884-1984), New York; seitdem in Familienbesitz, USA. Artist Name: Charles–François Daubigny (1817 - Paris - 1878) Notes: Öl auf Holz, parkettiert. (Um 1860). 24,7 x 45,3 cm. Unten links signiert und mit Widmung „à mon ami Armand Leleux“. Gerahmt.

In his orchards, Charles-François Daubigny captures the annual spectacle of spring, when the apple trees are in delicate pink blossom. He endeavoured to create as immediate an impression as possible of nature renewing itself each spring with its fleeting atmospheric effects; this is why he was one of the first artists of his time to paint "green patches" such as this one completely en plein air. In this, and in the freedom of his brushstrokes, Daubigny was a model for the following generation of Impressionists, such as Claude Monet and Camille Pissarro, who took up the theme with "Orchard in Bloom, Louveciennes" (1872, National Gallery of Art, Washington D.C.). The painting will be included in the second supplementary volume of Charles-François Daubigny's catalogue raisonné by François Delestre. A photo expertise is in preparation.

Nicht bei Hellebranth.

Taxation: Differenzbesteuert zzgl. 7% (VAT: Margin Scheme (non EU))

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Time, Location
17 May 2024
Germany, Munich
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[ translate ]

Oil on panel, cradled. (c. 1860). 24.7 x 45.3 cm. Signed lower left and with dedication "à mon ami Armand Leleux". Framed.

Provenance: Provenienz: Richard H. Zinser (1884-1984), New York; seitdem in Familienbesitz, USA. Artist Name: Charles–François Daubigny (1817 - Paris - 1878) Notes: Öl auf Holz, parkettiert. (Um 1860). 24,7 x 45,3 cm. Unten links signiert und mit Widmung „à mon ami Armand Leleux“. Gerahmt.

In his orchards, Charles-François Daubigny captures the annual spectacle of spring, when the apple trees are in delicate pink blossom. He endeavoured to create as immediate an impression as possible of nature renewing itself each spring with its fleeting atmospheric effects; this is why he was one of the first artists of his time to paint "green patches" such as this one completely en plein air. In this, and in the freedom of his brushstrokes, Daubigny was a model for the following generation of Impressionists, such as Claude Monet and Camille Pissarro, who took up the theme with "Orchard in Bloom, Louveciennes" (1872, National Gallery of Art, Washington D.C.). The painting will be included in the second supplementary volume of Charles-François Daubigny's catalogue raisonné by François Delestre. A photo expertise is in preparation.

Nicht bei Hellebranth.

Taxation: Differenzbesteuert zzgl. 7% (VAT: Margin Scheme (non EU))

[ translate ]
Estimate
Unlock
Reserve
Unlock
Time, Location
17 May 2024
Germany, Munich
Auction House