Christine Ay Tjoe Christine Ay Tjoe 克里絲汀 · 艾珠 |...
Property from an Important Private Collection
Christine Ay Tjoe
b. 1973
I'm Free Without Identity #03
oil on canvas
signed and dated 15; signed, titled and dated 2015 on the reverse
170 by 170 cm. 66⅞ by 66⅞ in.
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重要私人收藏
克里絲汀 · 艾珠
1973年生
沒有身份的我是自由的 #03
油畫畫布
2015年作
款識
藝術家簽名,15
藝術家簽名,《I'm free without identity #03》,2015(作品背面)
170 x 170 公分,66⅞ x 66⅞ 英寸
Condition Report:
This work is in very good condition overall. Any surface irregularities and smudging are inherent to the artist's medium and method. Upon close inspection, there is evidence of gentle wear and handling at the corners and edges, and pinpoint media accretions are observed in isolated areas. Upon close inspection, there is minor isolated paint loss on the left and right edges when the canvas was stretched. There is a light horizontal impression of the stretcher at the bottom of the canvas. Under ultraviolet light, small areas fluoresce white under ultraviolet light on the red element at the left side of the canvas and isolated areas of the white background on the right side, evidence of mold that has been cleaned. There is no sign of restoration under ultraviolet light. Unframed.
Provenance:
Ota Fine Arts, Singapore
Acquired from the above by the present owner in 2018
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新加坡,大田秀則畫廊
現藏者於2018年購自上述來源
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Property from an Important Private Collection
Christine Ay Tjoe
b. 1973
I'm Free Without Identity #03
oil on canvas
signed and dated 15; signed, titled and dated 2015 on the reverse
170 by 170 cm. 66⅞ by 66⅞ in.
----------------------------------------------
重要私人收藏
克里絲汀 · 艾珠
1973年生
沒有身份的我是自由的 #03
油畫畫布
2015年作
款識
藝術家簽名,15
藝術家簽名,《I'm free without identity #03》,2015(作品背面)
170 x 170 公分,66⅞ x 66⅞ 英寸
Condition Report:
This work is in very good condition overall. Any surface irregularities and smudging are inherent to the artist's medium and method. Upon close inspection, there is evidence of gentle wear and handling at the corners and edges, and pinpoint media accretions are observed in isolated areas. Upon close inspection, there is minor isolated paint loss on the left and right edges when the canvas was stretched. There is a light horizontal impression of the stretcher at the bottom of the canvas. Under ultraviolet light, small areas fluoresce white under ultraviolet light on the red element at the left side of the canvas and isolated areas of the white background on the right side, evidence of mold that has been cleaned. There is no sign of restoration under ultraviolet light. Unframed.
Provenance:
Ota Fine Arts, Singapore
Acquired from the above by the present owner in 2018
----------------------------------------------
新加坡,大田秀則畫廊
現藏者於2018年購自上述來源