Claude Monet (1840-1926), Attributed To,Oil On Canvas
Claude Monet (1840-1926), Attributed To,Oil On Canvas
Size:Image Size: 45.6 X 60.7 Cm. All Measured Values Are Approximate.Outer Frame Size: 65 X 80.1 Cm. All Measured Values Are Approximate.
Provenance And Authenticity:The Painting Bears A Signature And Date At The Lower Left Reading "Claude Monet 1908." The Reverse Retains A Galerie Daniel Malingue, Paris Label Identifying Claude Monet And The Title "San Giorgio Maggiore," Together With A 1908 Date And Dimensions Closely Corresponding With The Present Measurements. A Further Galerie Max Kaganovitch Label Is Affixed To The Upper Stretcher And Likewise Identifies Claude Monet, "San Giorgio Maggiore," And The Year 1908. The Canvas Remains Mounted On A Wooden Stretcher With A Central Vertical Support And Is Presented Within An Elaborate Giltwood Frame With A Pale Inner Liner.
Signature:Claude Monet
Description:A Luminous Venetian Waterscape Depicting The Church And Campanile Of San Giorgio Maggiore Rising Beyond The Lagoon. The Monumental Architectural Complex Occupies The Middle Distance, Its Pale Facade, Dome, And Slender Bell Tower Emerging Through A Radiant Atmosphere Of Yellow, Pink, Lavender, And Pale Blue. Several Gondolas And Small Boats Traverse The Foreground Water, Introducing Dark Linear Accents Against The Shimmering Surface. The Lagoon Is Constructed Through Layered Horizontal Strokes Of Blue, Violet, Rose, Turquoise, And Reflected Gold, While The Architecture Is Softened By Atmospheric Haze And Changing Light. The Broad Sky And Water Merge Through Closely Related Tonal Passages, Giving The Entire Composition A Suspended, Almost Weightless Quality Centered On Reflection And Luminosity.
Historical Significance:Venice Became An Important Subject During The Final Phase Of Claude Monet'S Career Following His Stay There In 1908. San Giorgio Maggiore, Viewed Across The Lagoon, Provided Monet With A Recurring Architectural Motif Through Which He Explored Variations Of Light, Mist, Reflection, And Changing Atmospheric Conditions. Rather Than Emphasizing Precise Architectural Description, These Venetian Compositions Dissolve Buildings And Water Into Color, Creating A Visual Continuity Between Solid Form And Surrounding Atmosphere. The Present Composition Reflects This Celebrated Late-Impressionist Approach Through Its Recognizable Venetian Landmark, Shimmering Lagoon, And Intensely Luminous Palette.
Valuation:Venetian Subjects Associated With Monet'S Late Work Remain Especially Sought After For Their Distinctive Combination Of Recognizable Architecture, Atmospheric Color, And Reflected Light. Views Of San Giorgio Maggiore Are Among The Most Identifiable Motifs Connected With His Venice Period. The Lower-Left Signature And Date, Reverse Galerie Daniel Malingue And Galerie Max Kaganovitch Labels, Substantial Framed Presentation, And Close Correspondence Between The Documented Subject And Visible Composition Contribute To The Work'S Cataloging And Collecting Interest.
Estimate:Estimate: $7,0000 - $10,0000
Bidders Need To Know
All The Items Are Sold As Is And All Sales Are Final. All Bidders Are Encouraged To Review Our Terms Before Bidding.
By Registering For And/Or Placing A Bid In Any Time Auction, You Acknowledge That You Have Read, Understand, And Agree To Our Auction Terms, Shipping, And Payment Policies.
We Encourage All Buyers To Ask For Condition Reports And/Or Other Photos Before Bidding. If You Have Any Questions About Each Item, Email Is The Best Way To Reach Us. Email Newyork@Timeauctionglobal.Com So We May Assist You In Your Assessment.
Condition Is Appropriate To The Age Of The Item. The Absence Of A Condition Report Does Not Imply That The Lot Is Free From Damage And Wear. All Photos Are Professionally Color Calibrated. Please Go Through Photos For More Details On Conditions And Age; Color May Be Different Depending On Your Screen.
Claude Monet (1840-1926), Attributed To,Oil On Canvas
Size:Image Size: 45.6 X 60.7 Cm. All Measured Values Are Approximate.Outer Frame Size: 65 X 80.1 Cm. All Measured Values Are Approximate.
Provenance And Authenticity:The Painting Bears A Signature And Date At The Lower Left Reading "Claude Monet 1908." The Reverse Retains A Galerie Daniel Malingue, Paris Label Identifying Claude Monet And The Title "San Giorgio Maggiore," Together With A 1908 Date And Dimensions Closely Corresponding With The Present Measurements. A Further Galerie Max Kaganovitch Label Is Affixed To The Upper Stretcher And Likewise Identifies Claude Monet, "San Giorgio Maggiore," And The Year 1908. The Canvas Remains Mounted On A Wooden Stretcher With A Central Vertical Support And Is Presented Within An Elaborate Giltwood Frame With A Pale Inner Liner.
Signature:Claude Monet
Description:A Luminous Venetian Waterscape Depicting The Church And Campanile Of San Giorgio Maggiore Rising Beyond The Lagoon. The Monumental Architectural Complex Occupies The Middle Distance, Its Pale Facade, Dome, And Slender Bell Tower Emerging Through A Radiant Atmosphere Of Yellow, Pink, Lavender, And Pale Blue. Several Gondolas And Small Boats Traverse The Foreground Water, Introducing Dark Linear Accents Against The Shimmering Surface. The Lagoon Is Constructed Through Layered Horizontal Strokes Of Blue, Violet, Rose, Turquoise, And Reflected Gold, While The Architecture Is Softened By Atmospheric Haze And Changing Light. The Broad Sky And Water Merge Through Closely Related Tonal Passages, Giving The Entire Composition A Suspended, Almost Weightless Quality Centered On Reflection And Luminosity.
Historical Significance:Venice Became An Important Subject During The Final Phase Of Claude Monet'S Career Following His Stay There In 1908. San Giorgio Maggiore, Viewed Across The Lagoon, Provided Monet With A Recurring Architectural Motif Through Which He Explored Variations Of Light, Mist, Reflection, And Changing Atmospheric Conditions. Rather Than Emphasizing Precise Architectural Description, These Venetian Compositions Dissolve Buildings And Water Into Color, Creating A Visual Continuity Between Solid Form And Surrounding Atmosphere. The Present Composition Reflects This Celebrated Late-Impressionist Approach Through Its Recognizable Venetian Landmark, Shimmering Lagoon, And Intensely Luminous Palette.
Valuation:Venetian Subjects Associated With Monet'S Late Work Remain Especially Sought After For Their Distinctive Combination Of Recognizable Architecture, Atmospheric Color, And Reflected Light. Views Of San Giorgio Maggiore Are Among The Most Identifiable Motifs Connected With His Venice Period. The Lower-Left Signature And Date, Reverse Galerie Daniel Malingue And Galerie Max Kaganovitch Labels, Substantial Framed Presentation, And Close Correspondence Between The Documented Subject And Visible Composition Contribute To The Work'S Cataloging And Collecting Interest.
Estimate:Estimate: $7,0000 - $10,0000
Bidders Need To Know
All The Items Are Sold As Is And All Sales Are Final. All Bidders Are Encouraged To Review Our Terms Before Bidding.
By Registering For And/Or Placing A Bid In Any Time Auction, You Acknowledge That You Have Read, Understand, And Agree To Our Auction Terms, Shipping, And Payment Policies.
We Encourage All Buyers To Ask For Condition Reports And/Or Other Photos Before Bidding. If You Have Any Questions About Each Item, Email Is The Best Way To Reach Us. Email Newyork@Timeauctionglobal.Com So We May Assist You In Your Assessment.
Condition Is Appropriate To The Age Of The Item. The Absence Of A Condition Report Does Not Imply That The Lot Is Free From Damage And Wear. All Photos Are Professionally Color Calibrated. Please Go Through Photos For More Details On Conditions And Age; Color May Be Different Depending On Your Screen.
