Clet Abraham - Liscia de pesce
\Artist: Clet Abraham
Technique: œuvre unique, technique mixte, collage et bombe aérosol sur panneau de signalétique utilisé\Signature: Hand signed\Dimensions: 60_60_cm
Unique work, mixed media, collage and spray paint on used road sign. Signed front and back #exclusiveartweek This panel is a unique work! Mixed media on panel. The work will be sent with a certificate of authenticity. Born in 1966, Clet Abraham studied at the Rennes School of Fine Arts. In 1990, he moved to Rome where he worked as a restorer of antique furniture while continuing his career as a painter. In 2005, he settled in Florence, in the district of San Niccolo. Its activity within the urban fabric began in summer of 2010. Since then, in a approach as humorous as political, Clet has been playing with road signs: a simple adhesive, and a black silhouette takes off the bar of a one-way street. . . He questions the citizens we are about the notion of legality. Playful works that oscillate between derision and subversion. His speeches raise many questions for their sometimes provocative content. They can be seen in the streets of Paris, Florence, Rome, Turin, Brussels and London.
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\Artist: Clet Abraham
Technique: œuvre unique, technique mixte, collage et bombe aérosol sur panneau de signalétique utilisé\Signature: Hand signed\Dimensions: 60_60_cm
Unique work, mixed media, collage and spray paint on used road sign. Signed front and back #exclusiveartweek This panel is a unique work! Mixed media on panel. The work will be sent with a certificate of authenticity. Born in 1966, Clet Abraham studied at the Rennes School of Fine Arts. In 1990, he moved to Rome where he worked as a restorer of antique furniture while continuing his career as a painter. In 2005, he settled in Florence, in the district of San Niccolo. Its activity within the urban fabric began in summer of 2010. Since then, in a approach as humorous as political, Clet has been playing with road signs: a simple adhesive, and a black silhouette takes off the bar of a one-way street. . . He questions the citizens we are about the notion of legality. Playful works that oscillate between derision and subversion. His speeches raise many questions for their sometimes provocative content. They can be seen in the streets of Paris, Florence, Rome, Turin, Brussels and London.
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