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LOT 73

DESMOND MORRIS | THE TRAP

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DESMOND MORRIS
b.1928
THE TRAP

signed with monogram and dated 50; also signed with monogram and dated AUG/22/1950 on the canvas overlap
oil on canvas
41 by 51cm.; 16 by 20½in.

Condition Report:
The canvas appears original and undulates. There are very small scattered areas of loss to the work, most prominent in the form of three pressure marks. There is a thin line of craquelure along the lower stretch bar, and other more minor instances elsewhere most notable in the lower half of the work. There are several thin, small scratches to the work, and some light rubbing. There is surface dirt and studio detritus to the work.

Inspection under Ultraviolet light reveals no obvious signs of fluorescence or retouching.

The work is presented in a gilt painted wooden frame.

Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Provenance:
Private Collection, London

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Time, Location
17 Mar 2020
UK, London
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[ translate ]

DESMOND MORRIS
b.1928
THE TRAP

signed with monogram and dated 50; also signed with monogram and dated AUG/22/1950 on the canvas overlap
oil on canvas
41 by 51cm.; 16 by 20½in.

Condition Report:
The canvas appears original and undulates. There are very small scattered areas of loss to the work, most prominent in the form of three pressure marks. There is a thin line of craquelure along the lower stretch bar, and other more minor instances elsewhere most notable in the lower half of the work. There are several thin, small scratches to the work, and some light rubbing. There is surface dirt and studio detritus to the work.

Inspection under Ultraviolet light reveals no obvious signs of fluorescence or retouching.

The work is presented in a gilt painted wooden frame.

Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Provenance:
Private Collection, London

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
17 Mar 2020
UK, London
Auction House
Unlock