DOS PASSOS' USA TRILOGY. DOS PASSOS, JOHN. 1896-1970. 3 titles 1. The 42nd Parallel. New York Harper &Bros., 1930.
The Library of David Lloyd, Part IDOS PASSOS' USA TRILOGY.
DOS PASSOS, JOHN. 1896-1970. 3 titles: 1. The 42nd Parallel. New York: Harper &Bros., 1930. 8vo. Original red cloth over decorated boards; dust jacket. Bookseller's ticket to rear pastedown. Light shelfwear to head and tail of spine; tape remnants to verso of jacket; light shelfwear; crease at head of spine.2. ---. 1919. New York: Harcourt, Brace and Co., 1932.Original red cloth stamped in silver, dust jacket. Light shelfwear. SIGNED BY THE AUTHOR on the front flyleaf: "To Max Gottlieb / December 1935."3. ---. The Big Money. New York: Harcourt, Brace and Co., 1936.8vo. Original blue cloth stamped in silver, dust jacket. Pastedowns darkened, spine slightly cocked, light shelfwear; jacket lightly thumbsoiled, wear to head and tail of spine.FIRST EDITIONS, ONE INSCRIBED, of Dos Passos's modern masterpiece. The USA Trilogy incorporates experimental narrative techniques to tell the story of the first three decades of the twentieth century.
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The Library of David Lloyd, Part IDOS PASSOS' USA TRILOGY.
DOS PASSOS, JOHN. 1896-1970. 3 titles: 1. The 42nd Parallel. New York: Harper &Bros., 1930. 8vo. Original red cloth over decorated boards; dust jacket. Bookseller's ticket to rear pastedown. Light shelfwear to head and tail of spine; tape remnants to verso of jacket; light shelfwear; crease at head of spine.2. ---. 1919. New York: Harcourt, Brace and Co., 1932.Original red cloth stamped in silver, dust jacket. Light shelfwear. SIGNED BY THE AUTHOR on the front flyleaf: "To Max Gottlieb / December 1935."3. ---. The Big Money. New York: Harcourt, Brace and Co., 1936.8vo. Original blue cloth stamped in silver, dust jacket. Pastedowns darkened, spine slightly cocked, light shelfwear; jacket lightly thumbsoiled, wear to head and tail of spine.FIRST EDITIONS, ONE INSCRIBED, of Dos Passos's modern masterpiece. The USA Trilogy incorporates experimental narrative techniques to tell the story of the first three decades of the twentieth century.