![[DUTCH GOLDEN AGE] – LOT of 36 late 20th-/ early 21st-cent. English (scholarly) works in 38 vols., mainly related to Dutch Golden Age painting.](https://gcp-la8-storage-cdn.lot-art.com/public/upl/17/DUTCH-GOLDEN-AGE-LOT-of-36-late-20th-early-21st-cent-English-scholarly-works-in-38-vols-mainly-related-to-Dutch-Golden-Age-pa_6410953fb1e22-full-12790100_1678808384.jpg "[DUTCH GOLDEN AGE] – LOT of 36 late 20th-/ early 21st-cent. English (scholarly) works in 38 vols., mainly related to Dutch Golden Age painting.")
[DUTCH GOLDEN AGE] – LOT of 36 late 20th-/ early 21st-cent. English (scholarly) works in 38 vols., mainly related to Dutch Golden Age painting.
Description
With (col.) plates & ills. Various sizes, various bindings. – Added: 6 copies of A. BLANKERT [a.o.], “Dutch Classicism in seventeenth-century painting” (1999).
Footnote
¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. L.B. HARWOOD, “Adam Pynacker (c. 1620-1673)” (1988. Aetas Aurea. Monographs on Dutch & Flemish Painting. [Vol.] VII. Standard oeuvre-catalogue); W. BERNT, “The Netherlandish Painters of the Seventeenth Century. Vol. I-III” (1970, 3 vols. Complete set); A.K. WHEELOCK Jr., “Dutch Paintings of the Seventeenth Century [..]” (1995. With SIGNED DEDICATION by the author to Albert Blankert, dated “16 May, 1996”); X. VAN ECK, “Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic” (2008); J. LOUGHMAN & J.M. MONTIAS, “Public and Private Spaces. Works of Art in Seventeenth-Century Dutch Houses” (2000. With SIGNED DEDICATION by co-author J.M. Montias); J. ROSEN, “Soldiers at Leisure. The Guardroom Scene in Dutch Genre Painting of the Golden Age” (2010); J. AONO, “Imitation and Innovation: Dutch Genre Painting 1680-1750 and its Reception of the Golden Age” (2011. Rare thesis. With loosely inserted SIGNED LETTER by the author addressed to Albert Blankert, dated “28 juni 2011”); W. FRANITS, “Dutch Seventeenth-Century Genre Painting. Its stylistic and thematic evolution” (2004. With SIGNED DEDICATION by the author to Albert Blankert, dated “12-XI-04”); A. McNEIL KETTERING, “The Dutch Arcadia. Pastoral Art and its Audience in the Golden Age” (1983); F.J. DUPARC & L.L. GRAIF, “Italian Recollections. Dutch Painters of the Golden Age” (1990); B. BRENNINKMEIJER-DE ROOIJ, “Roots of seventeenth-century Flower Painting [..]” (1996); J. TEN BRINK GOLDSMITH [a.o.], “Leonaert Bramer, 1596-1674. Ingenious Painter and Draughtsman in Rome and Delft” (1994); E. BUIJSEN & L.P. GRIJP [a.o.], “The Hoogsteder Exhibition of: Music & Painting in the Golden Age” (1994) & J.G. VAN GELDER, “Jan de Bisschop” (1972. Off-print. With loosely inserted SIGNED NOTE by the author, dated “Utrecht, juli 1972”). ¶ Partly with small imperfections and/or traces of use.
Sale price
Reserve
Time, Location
Auction House
Description
With (col.) plates & ills. Various sizes, various bindings. – Added: 6 copies of A. BLANKERT [a.o.], “Dutch Classicism in seventeenth-century painting” (1999).
Footnote
¶ All vols. ex bibliotheca prof. dr. Albert Blankert (1940-2022, Dutch art historian) comprising i.a. L.B. HARWOOD, “Adam Pynacker (c. 1620-1673)” (1988. Aetas Aurea. Monographs on Dutch & Flemish Painting. [Vol.] VII. Standard oeuvre-catalogue); W. BERNT, “The Netherlandish Painters of the Seventeenth Century. Vol. I-III” (1970, 3 vols. Complete set); A.K. WHEELOCK Jr., “Dutch Paintings of the Seventeenth Century [..]” (1995. With SIGNED DEDICATION by the author to Albert Blankert, dated “16 May, 1996”); X. VAN ECK, “Clandestine Splendor. Paintings for the Catholic Church in the Dutch Republic” (2008); J. LOUGHMAN & J.M. MONTIAS, “Public and Private Spaces. Works of Art in Seventeenth-Century Dutch Houses” (2000. With SIGNED DEDICATION by co-author J.M. Montias); J. ROSEN, “Soldiers at Leisure. The Guardroom Scene in Dutch Genre Painting of the Golden Age” (2010); J. AONO, “Imitation and Innovation: Dutch Genre Painting 1680-1750 and its Reception of the Golden Age” (2011. Rare thesis. With loosely inserted SIGNED LETTER by the author addressed to Albert Blankert, dated “28 juni 2011”); W. FRANITS, “Dutch Seventeenth-Century Genre Painting. Its stylistic and thematic evolution” (2004. With SIGNED DEDICATION by the author to Albert Blankert, dated “12-XI-04”); A. McNEIL KETTERING, “The Dutch Arcadia. Pastoral Art and its Audience in the Golden Age” (1983); F.J. DUPARC & L.L. GRAIF, “Italian Recollections. Dutch Painters of the Golden Age” (1990); B. BRENNINKMEIJER-DE ROOIJ, “Roots of seventeenth-century Flower Painting [..]” (1996); J. TEN BRINK GOLDSMITH [a.o.], “Leonaert Bramer, 1596-1674. Ingenious Painter and Draughtsman in Rome and Delft” (1994); E. BUIJSEN & L.P. GRIJP [a.o.], “The Hoogsteder Exhibition of: Music & Painting in the Golden Age” (1994) & J.G. VAN GELDER, “Jan de Bisschop” (1972. Off-print. With loosely inserted SIGNED NOTE by the author, dated “Utrecht, juli 1972”). ¶ Partly with small imperfections and/or traces of use.
