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David Hockney

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1969
Lithograph, on Arches paper, the full sheet.
S. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)
Signed and numbered 32/65 in pencil (there were also 18 artist's proofs and an edition of 35 on Japan paper), published in the portfolio Europäische Graphik VII by Galerie Wolfgang Ketterer, Munich, 1971 (with their blindstamp), printed in the United Kingdom, framed.

Condition Report:
The sheet toned, light-staining, very occasional pinpoint foxmarks on the front and reverse, occasional crescent-shaped soft handling creases (mainly visible in raking light), the sheet slightly toned on the reverse, time-staining visible at the reverse sheet edges, taped in intervals at the reverse sheet edges to an overmat, occasional stray glue from the mat slightly overlapping the extreme sheet edges in places on the reverse (barely of note), the sheet not examined out of the overmat.

In our opinion, this work is in good condition.

F: the sheet taped at the reverse sheet edges to an overmat. Within a natural wood frame, with an overmat, under glass.

All condition assessments exclude a work's frame.

For more information or images, please contact the department at Editions@Phillips.com

Provenance:
André Emmerich Gallery, New York

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[ translate ]

1969
Lithograph, on Arches paper, the full sheet.
S. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)
Signed and numbered 32/65 in pencil (there were also 18 artist's proofs and an edition of 35 on Japan paper), published in the portfolio Europäische Graphik VII by Galerie Wolfgang Ketterer, Munich, 1971 (with their blindstamp), printed in the United Kingdom, framed.

Condition Report:
The sheet toned, light-staining, very occasional pinpoint foxmarks on the front and reverse, occasional crescent-shaped soft handling creases (mainly visible in raking light), the sheet slightly toned on the reverse, time-staining visible at the reverse sheet edges, taped in intervals at the reverse sheet edges to an overmat, occasional stray glue from the mat slightly overlapping the extreme sheet edges in places on the reverse (barely of note), the sheet not examined out of the overmat.

In our opinion, this work is in good condition.

F: the sheet taped at the reverse sheet edges to an overmat. Within a natural wood frame, with an overmat, under glass.

All condition assessments exclude a work's frame.

For more information or images, please contact the department at Editions@Phillips.com

Provenance:
André Emmerich Gallery, New York

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
USA, New York, NY
Auction House
Unlock