De Vos (Martin). Mulier Inclinata (plate 9 from Icones Illustrium Feminarum Novi Testamenti), circa 1590-1612, etching
De Vos (Martin, 1532-1603). Mulier Inclinata (plate 9 from Icones Illustrium Feminarum Novi Testamenti), circa 1590-1612, etching on laid paper, published by Phillipe Galle, together with other Old Master prints, various: Albrecht Aldegrever, The Testimony of Daniel, and The Stoning of the Elders, 1555, two engravings from the set of four plates illustrating the story of Susanna (Hollstein 32-33), & Lot with his Daughters, 1555, engraving from the set of four plates illustrating the story of Lot, Abraham Bloemaert, a chiaroscuro woodcut, Giovanni Andrea Sirani (1610-1670), Apollo and Marsyas (Bartsch 2), engraving, and a grey wash drawing by Mathieu Antoine Xhrouet, La Fontaine de la Sauvenière, pen and black and grey inks with grey wash, titled and signed ‘La Fontaine de la Sauveniere ‘xhrouuet fecit’
(Qty: 7)
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De Vos (Martin, 1532-1603). Mulier Inclinata (plate 9 from Icones Illustrium Feminarum Novi Testamenti), circa 1590-1612, etching on laid paper, published by Phillipe Galle, together with other Old Master prints, various: Albrecht Aldegrever, The Testimony of Daniel, and The Stoning of the Elders, 1555, two engravings from the set of four plates illustrating the story of Susanna (Hollstein 32-33), & Lot with his Daughters, 1555, engraving from the set of four plates illustrating the story of Lot, Abraham Bloemaert, a chiaroscuro woodcut, Giovanni Andrea Sirani (1610-1670), Apollo and Marsyas (Bartsch 2), engraving, and a grey wash drawing by Mathieu Antoine Xhrouet, La Fontaine de la Sauvenière, pen and black and grey inks with grey wash, titled and signed ‘La Fontaine de la Sauveniere ‘xhrouuet fecit’
(Qty: 7)
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