Derrière le Miroir
Lot with artists connected with the Art Informel movement. Divided into (Tachism): 1) Tal Coat, 64, 1954; 2) Tal Coat, 82-84, 1956; 3) Tal Coat, 114, 1959; 4) Tal Coat, 131, 1962; 5) Tal Coat, 153, 1965; 6) Riopelle, 160, 1966; 7) Riopelle, 185, 1970; (Cobra); 8) Bram van Velde, 43, 1952; 9) Geer van Velde, 51, 1952; 10) Bazaine, 55/56, 1953; 11) Alechinsky, 247, 1980; 12) Raoul Ubac, 34, 1950; 13) Ubac, 74/75, 1955; 14) Ubac, 105-106, 1958; 15) Ubac, 130, 1961; 16) Ubac, 142, 1964; 17) Ubac, 161, 1966; 18) Arp, 33, 1950 (Fauvism); 19) G. Braque, 25/26, 1950; 20) G. Braque, 48/49, 1952; 21) 71/72, 1954; 22) 85/86, 1956; 23) Henri Matisse, 46, 1952.
All complete with all lithographs. (total 23)
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Lot with artists connected with the Art Informel movement. Divided into (Tachism): 1) Tal Coat, 64, 1954; 2) Tal Coat, 82-84, 1956; 3) Tal Coat, 114, 1959; 4) Tal Coat, 131, 1962; 5) Tal Coat, 153, 1965; 6) Riopelle, 160, 1966; 7) Riopelle, 185, 1970; (Cobra); 8) Bram van Velde, 43, 1952; 9) Geer van Velde, 51, 1952; 10) Bazaine, 55/56, 1953; 11) Alechinsky, 247, 1980; 12) Raoul Ubac, 34, 1950; 13) Ubac, 74/75, 1955; 14) Ubac, 105-106, 1958; 15) Ubac, 130, 1961; 16) Ubac, 142, 1964; 17) Ubac, 161, 1966; 18) Arp, 33, 1950 (Fauvism); 19) G. Braque, 25/26, 1950; 20) G. Braque, 48/49, 1952; 21) 71/72, 1954; 22) 85/86, 1956; 23) Henri Matisse, 46, 1952.
All complete with all lithographs. (total 23)