EMANUELE ORDONO DE ROSALES (9TH MARCHESE DI CASTELLEONE, 1873-1919): DANCER
a dark brown patinated bronze figure, circa 1906, the female nude modelled with one arm stretched to her raised leg, the other arm stretched out behind her, signed to the table of the stepped circular base 'E.O. Rosales / 8' and inscribed to side 'Copywright by E.O. Rosales 1906', set on its green mottled marble cylindrical pillar with stepped square base, figure 27cm high, 49cm overall Emanuele Ordoño de Rosales, sometimes known as Manolo, came from a noble Milanese family. Having spent his formative training in Paris under the sculptor Louis-Ernest Barrias, he traveled widely, including to America. By the early 20th century he became known for his figures of dancers and nudes, producing a bronze head of his friend Michel Fokine (see an example sold Bonham's, London, 31 May 2007, lot 61) and a figure of Nijinsky as Harlequin in the Ballets Russes production of 'Carnaval' (See De Young/Legion of Honour Museum, San Francisco, No.1959.76). See another of this model held by the Le musée national d'Art moderne (MNAM), Pompidou Centre, Paris, No.LUX.0.87 S; and one sold Sotheby's, London, 12 June 2006, lot 267.a dark brown patinated bronze figure, circa 1906, the female nude modelled with one arm stretched to her raised leg, the other arm stretched out behind her, signed to the table of the stepped circular base 'E.O. Rosales / 8' and inscribed to side 'Copywright by E.O. Rosales 1906', set on its green mottled marble cylindrical pillar with stepped square base, figure 27cm high, 49cm overall Emanuele Ordoño de Rosales, sometimes known as Manolo, came from a noble Milanese family. Having spent his formative training in Paris under the sculptor Louis-Ernest Barrias, he traveled widely, including to America. By the early 20th century he became known for his figures of dancers and nudes, producing a bronze head of his friend Michel Fokine (see an example sold Bonham's, London, 31 May 2007, lot 61) and a figure of Nijinsky as Harlequin in the Ballets Russes production of 'Carnaval' (See De Young/Legion of Honour Museum, San Francisco, No.1959.76). See another of this model held by the Le musée national d'Art moderne (MNAM), Pompidou Centre, Paris, No.LUX.0.87 S; and one sold Sotheby's, London, 12 June 2006, lot 267.
Overall in good condition, some discolouring to patination, plinth with minor nibbles to bottom rim Condition Report: we are pleased to provide you with general guidance on the condition of property. Olympia Auctions is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. The Condition Report represents Olympia Auctions’ reasonable opinion as to the Lot’s general condition in the terms stated in the particular report, and Olympia Auctions does not represent or guarantee that a Condition Report includes all aspects of the internal or external condition of the Lot. Any images provided of the Lot may not accurately reflect the actual condition of the Lot nor its true colour or shade. The responsibility for ascertaining the condition of the Lot remains with the purchaser and prospective buyers should inspect each Lot to satisfy themselves as to condition. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH OUR CONDITIONS OF BUSINESS.
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a dark brown patinated bronze figure, circa 1906, the female nude modelled with one arm stretched to her raised leg, the other arm stretched out behind her, signed to the table of the stepped circular base 'E.O. Rosales / 8' and inscribed to side 'Copywright by E.O. Rosales 1906', set on its green mottled marble cylindrical pillar with stepped square base, figure 27cm high, 49cm overall Emanuele Ordoño de Rosales, sometimes known as Manolo, came from a noble Milanese family. Having spent his formative training in Paris under the sculptor Louis-Ernest Barrias, he traveled widely, including to America. By the early 20th century he became known for his figures of dancers and nudes, producing a bronze head of his friend Michel Fokine (see an example sold Bonham's, London, 31 May 2007, lot 61) and a figure of Nijinsky as Harlequin in the Ballets Russes production of 'Carnaval' (See De Young/Legion of Honour Museum, San Francisco, No.1959.76). See another of this model held by the Le musée national d'Art moderne (MNAM), Pompidou Centre, Paris, No.LUX.0.87 S; and one sold Sotheby's, London, 12 June 2006, lot 267.a dark brown patinated bronze figure, circa 1906, the female nude modelled with one arm stretched to her raised leg, the other arm stretched out behind her, signed to the table of the stepped circular base 'E.O. Rosales / 8' and inscribed to side 'Copywright by E.O. Rosales 1906', set on its green mottled marble cylindrical pillar with stepped square base, figure 27cm high, 49cm overall Emanuele Ordoño de Rosales, sometimes known as Manolo, came from a noble Milanese family. Having spent his formative training in Paris under the sculptor Louis-Ernest Barrias, he traveled widely, including to America. By the early 20th century he became known for his figures of dancers and nudes, producing a bronze head of his friend Michel Fokine (see an example sold Bonham's, London, 31 May 2007, lot 61) and a figure of Nijinsky as Harlequin in the Ballets Russes production of 'Carnaval' (See De Young/Legion of Honour Museum, San Francisco, No.1959.76). See another of this model held by the Le musée national d'Art moderne (MNAM), Pompidou Centre, Paris, No.LUX.0.87 S; and one sold Sotheby's, London, 12 June 2006, lot 267.
Overall in good condition, some discolouring to patination, plinth with minor nibbles to bottom rim Condition Report: we are pleased to provide you with general guidance on the condition of property. Olympia Auctions is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. The Condition Report represents Olympia Auctions’ reasonable opinion as to the Lot’s general condition in the terms stated in the particular report, and Olympia Auctions does not represent or guarantee that a Condition Report includes all aspects of the internal or external condition of the Lot. Any images provided of the Lot may not accurately reflect the actual condition of the Lot nor its true colour or shade. The responsibility for ascertaining the condition of the Lot remains with the purchaser and prospective buyers should inspect each Lot to satisfy themselves as to condition. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH OUR CONDITIONS OF BUSINESS.
