Feuille d'éventail à décor de Montagne et...
Feuille d'éventail à décor de Montagne et Rivière sous la Pluie. Encre de Chine sur papier or.
Chine, début XXe siècle. Printemps 1912. Dans le style de Dong Qi Chang (1555-1636) peintre, calligraphe et critique d'art de la fin de la période Ming.
Poème de Bian Si Yi (?- - 1338) et cachet de l'artiste Xuan Zai,.
Peinture d'après l'artiste Dong Qi Chang.
Largeur: 51,5 cm. Hauteur: 16,7 cm. (Manques).
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Fan decorated with Mountain and River under the Rain. Ink ¬¬¬on gold leaf paper. China, early 20th century, spring 1912.
Poem by Bian Si Yi (?−1338) and Xuan Zai’s artist stamp.
Painting following the style of artist Dong Qi Chang.
Width: 51.5 cm. Height: 16.7 cm. (Some loss of material).
Dong Qi Chang (1555−1636) was a painter, calligrapher, and art critic of the late Ming dynasty period. He had, as a critic, an enormous influence on a particular idea of literary painting in China but also in Japan, by radically contrasting a certain "Northern School" to a certain "Southern School". His conceptions were challenged only at the end of the twentieth century, when a systematic study of the entire history of literary painting could be made in relation to the works.
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中國二十世紀(1912)扇面/ 款 玄宰 /山水/設色紙本(金漆紙上水墨)/51.5×16.7 cm(損傷)
釋文：西崦人家枕碧流，屋頭高樹近山頭，短簑烟雨歸來晚，滿地落花人倚樓。壬子春月，仿家北苑大意。
款識：玄宰
鈴印：玄宰
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Feuille d'éventail à décor de Montagne et Rivière sous la Pluie. Encre de Chine sur papier or.
Chine, début XXe siècle. Printemps 1912. Dans le style de Dong Qi Chang (1555-1636) peintre, calligraphe et critique d'art de la fin de la période Ming.
Poème de Bian Si Yi (?- - 1338) et cachet de l'artiste Xuan Zai,.
Peinture d'après l'artiste Dong Qi Chang.
Largeur: 51,5 cm. Hauteur: 16,7 cm. (Manques).
-
Fan decorated with Mountain and River under the Rain. Ink ¬¬¬on gold leaf paper. China, early 20th century, spring 1912.
Poem by Bian Si Yi (?−1338) and Xuan Zai’s artist stamp.
Painting following the style of artist Dong Qi Chang.
Width: 51.5 cm. Height: 16.7 cm. (Some loss of material).
Dong Qi Chang (1555−1636) was a painter, calligrapher, and art critic of the late Ming dynasty period. He had, as a critic, an enormous influence on a particular idea of literary painting in China but also in Japan, by radically contrasting a certain "Northern School" to a certain "Southern School". His conceptions were challenged only at the end of the twentieth century, when a systematic study of the entire history of literary painting could be made in relation to the works.
-
中國二十世紀(1912)扇面/ 款 玄宰 /山水/設色紙本(金漆紙上水墨)/51.5×16.7 cm(損傷)
釋文：西崦人家枕碧流，屋頭高樹近山頭，短簑烟雨歸來晚，滿地落花人倚樓。壬子春月，仿家北苑大意。
款識：玄宰
鈴印：玄宰
