Film surveys, thirty-five

Film surveys, thirty-five

bound printed paper

Provenance: Collection of Michael and Gabrielle Boyd

Complete Lot Details

Roman Polanski: A Retrospective James Greenberg, Harry N. Abrams, Aug 06, 2013. 288 pages, Hardcover with dustjacket. Source title: Roman Polanski: A Retrospective

Larry McMurtry: A Life Tracy Daugherty, St. Martin's Press, 2023. 544 pages, Hardcover with dustjacket.

Francois Truffaut: film author 1932-1984 Robert Ingram, Taschen, Koln, 2004. 192 pages, Paperback. Subtitle on front cover: the complete films. Includes bibliographical references (pg. 192) and index.

Letters Renoir, Jean, Faber & Faber, March 1995. 512 pages, Hardcover with dustjacket.

Preston Sturges on Preston Sturges Preston Sturges, Faber and Faber, London, 1991. 352 pages, Hardcover with dustjacket. Originally published, New York: Simon and Schuster, 1990.Includes index.

Dali & Film: Ed. By Matthew Gale Matthew Gale, Tate Publishing, London, 2008. 224 pages, Paperback.

Jean Renoir: A Conversation with His Films 1894-1979 Christopher Faulkner, Taschen, Koln, 2007. 192 pages, Hardcover with dustjacket. Includes bibliographical references (pg. 192). Filmography: ppg. 186-191.

Fargo Ethan Coen, Faber and Faber, London, 1996. 118 pages, Hardcover.

Fargo Ethan Coen, Faber and Faber, London, 1996. 118 pages, Paperback.

Dali Painting & Film pamphlet, LACMA, 2008.

The Genius of Busby Berkeley Bob Pike and Dave Martin, CFS Books, California, 1973. Paperback.

The Busby Berkeley book Tony Thomas, New York Graphic Society, [Greenwich, Conn.], 1973. 184 pages, Hardcover with dustjacket.

The Films of Marcello Mastroianni: The Stuff That Dreams Are Made Of Francesco Tato, Cinecitta International, Rome, 1998. Paperback.

Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature Quentin Tarantino, Weinstein Books, April 6, 2007. 251 pages, Hardcover.

Ian Fleming Introduces Jamaica Morris Cargill, Hawthorn, New York, 1965. Hardcover with dustjacket.

2001: A Space Odyssey Arthur C. Clarke, New American Library, New York, 1968. Hardcover with dustjacket.

Le Petomane 1857-1945 Jean Nohain, Sherbourne Press, Los Angeles, 1967. Hardcover with dustjacket.

Billy Wilder Axel Madsen, Secker & Warburg, London, 1968. Paperback.

John Huston Scott Hammen, Twayne, Boston, 1985. Hardcover.

Focus on Howard Hawks Joseph McBride, Prentice-Hall, Englewood Cliffs, 1972. Hardcover with dustjacket.

F.W. Murnau Lotte Eisner, Le Terrain Vague, 1964. Paperback.

Virgil Thomson Virgil Thomson, Weidenfeld & Nicolson, London, 1967. Hardcover with dustjacket.

Four Screenplays of Ingmar Bergman Virgil Thomson, Simon and Schuster, New York, 1960. Hardcover with dustjacket.

Jules et Jim Francois Truffaut, du Seuil, Paris, 1971. Paperback.

Wild Strawberries Ingmar Bergman, Simon and Schuster, New York, 1960. Paperback.

Douglas Fairbanks The Making of a Screen Character Alistair Cook, Museum of Modern Art, New York, 1940. Hardcover.

Wild Strawberries Ingmar Bergman, Lorrimer, London, 1970. Paperback.

Varese: A Looking-glass Diary Louise Varese, W. W. Norton & Company, New York, 1972. Hardcover with dustjacket.

Miracle in Milan Vittorio De Sica, Viking Press, New York, 1968. Hardcover with dustjacket.

George Stevens: An American Romantic Donald Richie, Museum of Modern Art, New York, 1970. Paperback.

A Clockwork Orange Anthony Burgess, Norton, New York, 1963. Hardcover with dustjacket.

The films of Josef von Sternberg Andrew Sarris, Museum of Modern Art, New York, 1966. Hardcover with dustjacket.

The films of Josef von Sternberg Andrew Sarris, Museum of Modern Art, New York, 1966. Hardcover with dustjacket.

Intolerance The Film David Wark Griffith, Museum of Modern Art, New York, 1966. Paperback.

D.W. Griffith American Film Master Iris Barry, Museum of Modern Art, New York, 1940. Hardcover.

This work will ship from Chicago, Illinois.

Condition
Good condition. All books and ephemera come from a personal library and were well cared for. As they were actively used for research, there are books that exhibit shelf wear and use. Scattered minor bends, nicks, and creases throughout, in keeping with gentle use.