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LOT 0008

Fine Egyptian Gilded Cartonnage Sarcophagus Mask

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Egyptian, Late Dynastic Period to Ptolemaic, 26th to 31st Dynasty, ca. 664 to 30 BCE. A gorgeous gilded cartonnage sarcophagus mask displaying quintessential Egyptian beauty, made from layers of plaster-covered papyrus or linen, gilded and painted with bright pigments. The face is defined by fine black-painted eyes and brows, a nicely modeled noble nose, high-set ovoid ears, and full lips in an enigmatic gentle smile, all enveloped in layers of gold leaf. A multi-stranded pectoral known as a weswkh collar is comprised of narrow bands of dotted motifs in red and black hues. The pigment adorning the tripartite wig is a marvelous midnight blue. The verso is concave enough to fit over the head of a linen-wrapped mummy. A fantastic example that exudes a sense of human life even though it belongs to this funerary tradition. Size: 11" H (27.9 cm); 16.375" H (41.6 cm) on included custom stand.

Ancient Egyptians believed it was of the utmost importance to preserve a body of the deceased, because the soul needed a place to reside after the death. Preservation of the body was done via mummification - a process involving the removal of internal organs that were placed in canopic jars, wrapping body in linen, and then embalming. Death masks like this example were created so that the soul could recognize the body and return to it. For this reason, death masks were made in the relative likeness of the deceased.

Artisans were able to employ the use of different materials when crafting sarcophagi or any elements to be placed atop the deceased. Earlier masks were carved from wood, while later ones were made of cartonnage, a material made from papyrus or linen and soaked in plaster which was then applied to a wooden mold. Royal death masks, perhaps the most famous being that of Tutankhamen, were made from precious metals. All death masks were intended to resemble the deceased subject; however, eyes were always slightly enlarged and lips presented in a subtle smile, as we see in this example.

A stylistically similar example hammered for GBP 25,000 ($33,378.88) at Christie's, London Antiquities Auction (sale 12240, December 6, 2016, lot 16): https://www.christies.com/lotfinder/ancient-art-antiquities/an-egyptian-gilt-cartonnage-mummy-mask-ptolemaic-6041259-details.aspx?from=searchresults&intObjectID=6041259&sid=991b487f-1b3d-4320-8452-269680a15e4a

Provenance: private East Coast, USA collection; ex-Dr. Vladimir Piskacek collection, New York, New York, USA, acquired in the 1970s

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide to most countries and handle all shipping in-house for your convenience.

#141447
Condition Report: Expected surface wear with some indentations, divots, fissures, and tears at the peripheries. Slight losses to gilding and pigment as shown, though nice representations remain. The verso has not been examined as the mask is attached to a stand.

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Time, Location
09 Apr 2020
USA, Louisville, CO
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[ translate ]

Egyptian, Late Dynastic Period to Ptolemaic, 26th to 31st Dynasty, ca. 664 to 30 BCE. A gorgeous gilded cartonnage sarcophagus mask displaying quintessential Egyptian beauty, made from layers of plaster-covered papyrus or linen, gilded and painted with bright pigments. The face is defined by fine black-painted eyes and brows, a nicely modeled noble nose, high-set ovoid ears, and full lips in an enigmatic gentle smile, all enveloped in layers of gold leaf. A multi-stranded pectoral known as a weswkh collar is comprised of narrow bands of dotted motifs in red and black hues. The pigment adorning the tripartite wig is a marvelous midnight blue. The verso is concave enough to fit over the head of a linen-wrapped mummy. A fantastic example that exudes a sense of human life even though it belongs to this funerary tradition. Size: 11" H (27.9 cm); 16.375" H (41.6 cm) on included custom stand.

Ancient Egyptians believed it was of the utmost importance to preserve a body of the deceased, because the soul needed a place to reside after the death. Preservation of the body was done via mummification - a process involving the removal of internal organs that were placed in canopic jars, wrapping body in linen, and then embalming. Death masks like this example were created so that the soul could recognize the body and return to it. For this reason, death masks were made in the relative likeness of the deceased.

Artisans were able to employ the use of different materials when crafting sarcophagi or any elements to be placed atop the deceased. Earlier masks were carved from wood, while later ones were made of cartonnage, a material made from papyrus or linen and soaked in plaster which was then applied to a wooden mold. Royal death masks, perhaps the most famous being that of Tutankhamen, were made from precious metals. All death masks were intended to resemble the deceased subject; however, eyes were always slightly enlarged and lips presented in a subtle smile, as we see in this example.

A stylistically similar example hammered for GBP 25,000 ($33,378.88) at Christie's, London Antiquities Auction (sale 12240, December 6, 2016, lot 16): https://www.christies.com/lotfinder/ancient-art-antiquities/an-egyptian-gilt-cartonnage-mummy-mask-ptolemaic-6041259-details.aspx?from=searchresults&intObjectID=6041259&sid=991b487f-1b3d-4320-8452-269680a15e4a

Provenance: private East Coast, USA collection; ex-Dr. Vladimir Piskacek collection, New York, New York, USA, acquired in the 1970s

All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.

A Certificate of Authenticity will accompany all winning bids.

We ship worldwide to most countries and handle all shipping in-house for your convenience.

#141447
Condition Report: Expected surface wear with some indentations, divots, fissures, and tears at the peripheries. Slight losses to gilding and pigment as shown, though nice representations remain. The verso has not been examined as the mask is attached to a stand.

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Estimate
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Time, Location
09 Apr 2020
USA, Louisville, CO
Auction House
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