Francesco Brizio (1574-1623), da Parmigianino - "San Rocco intercede per un devoto"
\Artist: Francesco Brizio (1574-1623) , da Parmigianino
Technique: Bulino\Signature: Signed\Dimensions: 263_377_0_mm
Sheet trimmed slightly over the framing, on heavy laid paper with watermark, in good condition (please see photos) . from Francesco Mazzola called ‘Il Parmigianino’, II st. /2, with inscriptions. At the bottom dedication to Cardinal Alessandro d’Este and Latin inscription of two verses in two columns ‘ILLVSTRISSIMO PRINCIPI ALEXANDRO ESTENSI CARD: AMPLISSIMO/ Mirum opus effigies ROCHI, quam pinxerat auctor/ Mirificus, BRICI mirifice aere nitet. / Haec tibi ALEXANDER debentur dona refulges/ Murice qui sacro, mirus et ingenio", further down to the left "Franc: Parm: s inu. ", to the right "Fran. Bric. f. " The Saint is depicted standing with his left hand on his heart and looking towards the sunlight where a dove is depicted, and his right hand on the shoulder of the devotee who is kneeling next to him. A dog is lying at his feet. The eyes of the three figures are all turned towards the symbols of divine grace. Rare. Bartsch XVIII p. 258 n. 9; TIB 1987 XL p. 228 n. 4003. 035. Francesco Brizio (1574-1623) painter and engraver of the Bolognese school of early Baroque, pupil of Passarotti, then of Agostino and Ludovico Carracci, active in Bologna.
View it on
Sale price
Estimate
Time, Location
Auction House
\Artist: Francesco Brizio (1574-1623) , da Parmigianino
Technique: Bulino\Signature: Signed\Dimensions: 263_377_0_mm
Sheet trimmed slightly over the framing, on heavy laid paper with watermark, in good condition (please see photos) . from Francesco Mazzola called ‘Il Parmigianino’, II st. /2, with inscriptions. At the bottom dedication to Cardinal Alessandro d’Este and Latin inscription of two verses in two columns ‘ILLVSTRISSIMO PRINCIPI ALEXANDRO ESTENSI CARD: AMPLISSIMO/ Mirum opus effigies ROCHI, quam pinxerat auctor/ Mirificus, BRICI mirifice aere nitet. / Haec tibi ALEXANDER debentur dona refulges/ Murice qui sacro, mirus et ingenio", further down to the left "Franc: Parm: s inu. ", to the right "Fran. Bric. f. " The Saint is depicted standing with his left hand on his heart and looking towards the sunlight where a dove is depicted, and his right hand on the shoulder of the devotee who is kneeling next to him. A dog is lying at his feet. The eyes of the three figures are all turned towards the symbols of divine grace. Rare. Bartsch XVIII p. 258 n. 9; TIB 1987 XL p. 228 n. 4003. 035. Francesco Brizio (1574-1623) painter and engraver of the Bolognese school of early Baroque, pupil of Passarotti, then of Agostino and Ludovico Carracci, active in Bologna.