GRAND FEU ART POTTERY (1912-1916) Footed 'Chine' Potcirca 1914glazed grès cérame stone...
GRAND FEU ART POTTERY (1912-1916)
Footed 'Chine' Pot
circa 1914
glazed grès cérame stoneware, impressed 'GRAND FEU ART POTTERY L.A. CAL' and incised '878'
height 2 3/8in (6cm); diameter 4 3/4in (12cm)
Footnotes:
Provenance
John and Betty Darcy
Bob Schmid (acquired from the above, circa 1975)
The Collection of Stephanie Mills, Santa Cruz, California (acquired from the above, 1989)
Exhibited
Fullerton, California, Muckenthaler Cultural Center, American Classics: Art Pottery 1875-1930, April 3 - May 31, 1981
Los Angeles, Los Angeles County Museum of Art, 'The Art That is Life': The Arts and Crafts Movement in America 1875-1920, August 16 - November 1, 1987 (added to exhibition in Los Angeles, not in catalogue)
For further information on this lot please visit Bonhams.com
Condition
Overall good condition and appearance. Three pindot chips to glaze in front right corner of one foot, generally blending into composition and noticeable only upon close inspection. Under UV, no evidence of restoration or retouch.
Sale price
Estimate
Time, Location
Auction House
GRAND FEU ART POTTERY (1912-1916)
Footed 'Chine' Pot
circa 1914
glazed grès cérame stoneware, impressed 'GRAND FEU ART POTTERY L.A. CAL' and incised '878'
height 2 3/8in (6cm); diameter 4 3/4in (12cm)
Footnotes:
Provenance
John and Betty Darcy
Bob Schmid (acquired from the above, circa 1975)
The Collection of Stephanie Mills, Santa Cruz, California (acquired from the above, 1989)
Exhibited
Fullerton, California, Muckenthaler Cultural Center, American Classics: Art Pottery 1875-1930, April 3 - May 31, 1981
Los Angeles, Los Angeles County Museum of Art, 'The Art That is Life': The Arts and Crafts Movement in America 1875-1920, August 16 - November 1, 1987 (added to exhibition in Los Angeles, not in catalogue)
For further information on this lot please visit Bonhams.com
Condition
Overall good condition and appearance. Three pindot chips to glaze in front right corner of one foot, generally blending into composition and noticeable only upon close inspection. Under UV, no evidence of restoration or retouch.