George Condo
stamped with the foundry mark, signed with the artist's initials, numbered and dated "GC 1/3 02" on the reverse; inscribed "1B 21 66" on the interior
gilded bronze
13 1/2 x 10 x 6 1/2 in. (34.3 x 25.4 x 16.5 cm)
Executed in 2002, in the United States, this work is number 1 from an edition of 3 plus 2 artist's proofs.
Provenance:
Sprüth Magers Gallery, Cologne
Acquired from the above by the present owner
Exhibited:
Zurich, Gallery Bruno Bischofberger, u003cemu003eGeorge Condo: Sculptureu003c/emu003e, September 25–November 15, 2003, pp. 60–61, 109 (illustrated, p. 60–61)
Cologne, Sprüth Magers Gallery, u003cemu003eGeorge Condou003c/emu003e, April 24–June 19, 2004 (another example exhibited)
New York, New Museum; Rotterdam, Museum Boijmans Van Beuningen; London, Hayward Gallery; Frankfurt, Schirn Kunsthalle, u003cemu003eGeorge Condo: Mental Statesu003c/emu003e, January 26, 2011–May 28, 2012, p. 156, 168 (another example exhibited and illustrated, p. 156)
Vienna, The Belvedere, u003cemu003eGoldu003c/emu003e, March 15–June 17, 2012, pp. 261, 351 (another example exhibited and illustrated, p. 261)
Musée d’Art Moderne de Paris, u003cemu003eGeorge Condou003c/emu003e, October 10, 2025–February 15, 2026, no. 179, pp. 183, 261 (another example exhibited and illustrated, p. 183)
Literature:
“George Condo at New Museum – New York,” u003cemu003eMousse Magazineu003c/emu003e, January 2, 2011, online (another example installation view illustrated)
“The madcap world of George Condo – in pictures,” u003cemu003eThe Guardianu003c/emu003e, October 17, 2011, online (another example illustrated)
Simon Baker, u003cemu003eGeorge Condo: Painting Reconfiguredu003c/emu003e, London, 2015, pp. 215, 218–219 (another example illustrated, p. 219)
stamped with the foundry mark, signed with the artist's initials, numbered and dated "GC 1/3 02" on the reverse; inscribed "1B 21 66" on the interior
gilded bronze
13 1/2 x 10 x 6 1/2 in. (34.3 x 25.4 x 16.5 cm)
Executed in 2002, in the United States, this work is number 1 from an edition of 3 plus 2 artist's proofs.
Provenance:
Sprüth Magers Gallery, Cologne
Acquired from the above by the present owner
Exhibited:
Zurich, Gallery Bruno Bischofberger, u003cemu003eGeorge Condo: Sculptureu003c/emu003e, September 25–November 15, 2003, pp. 60–61, 109 (illustrated, p. 60–61)
Cologne, Sprüth Magers Gallery, u003cemu003eGeorge Condou003c/emu003e, April 24–June 19, 2004 (another example exhibited)
New York, New Museum; Rotterdam, Museum Boijmans Van Beuningen; London, Hayward Gallery; Frankfurt, Schirn Kunsthalle, u003cemu003eGeorge Condo: Mental Statesu003c/emu003e, January 26, 2011–May 28, 2012, p. 156, 168 (another example exhibited and illustrated, p. 156)
Vienna, The Belvedere, u003cemu003eGoldu003c/emu003e, March 15–June 17, 2012, pp. 261, 351 (another example exhibited and illustrated, p. 261)
Musée d’Art Moderne de Paris, u003cemu003eGeorge Condou003c/emu003e, October 10, 2025–February 15, 2026, no. 179, pp. 183, 261 (another example exhibited and illustrated, p. 183)
Literature:
“George Condo at New Museum – New York,” u003cemu003eMousse Magazineu003c/emu003e, January 2, 2011, online (another example installation view illustrated)
“The madcap world of George Condo – in pictures,” u003cemu003eThe Guardianu003c/emu003e, October 17, 2011, online (another example illustrated)
Simon Baker, u003cemu003eGeorge Condo: Painting Reconfiguredu003c/emu003e, London, 2015, pp. 215, 218–219 (another example illustrated, p. 219)
