Giovanni Battista Crosato
Giovanni Battista Crosato,
ca. 1697 Venice - 1756/58, train/workshop of the
great gesiem decoration of a palace hall
Oil on canvas. Doubled.
110 x 151 cm.
Matching, light marbled frame.
With grisaille trompe-l'oeil painting simulating stucco. Depicts a winged cherub on perspective painted cornice fighter next to a large volute, in his hands a golden laurel festoon. Accentuated shadowy illumination from below. Overall execution in high quality.
The painter, whose complete works can certainly be placed next to those of Tiepolo, worked from 1733 onwards mainly in the Piedmont region and worked mainly on the frescoes in Palazzo Stupinigi, later also in the Royal Theatre in Turin, and from 1756 a member of the Academy in Venice. (1240451) (11) Automatically translated by DeepL. To see the original version, click here.
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Giovanni Battista Crosato,
ca. 1697 Venice - 1756/58, train/workshop of the
great gesiem decoration of a palace hall
Oil on canvas. Doubled.
110 x 151 cm.
Matching, light marbled frame.
With grisaille trompe-l'oeil painting simulating stucco. Depicts a winged cherub on perspective painted cornice fighter next to a large volute, in his hands a golden laurel festoon. Accentuated shadowy illumination from below. Overall execution in high quality.
The painter, whose complete works can certainly be placed next to those of Tiepolo, worked from 1733 onwards mainly in the Piedmont region and worked mainly on the frescoes in Palazzo Stupinigi, later also in the Royal Theatre in Turin, and from 1756 a member of the Academy in Venice. (1240451) (11) Automatically translated by DeepL. To see the original version, click here.
Estimate
Time, Location
Auction House
