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Gregorio de Ferrari ( Porto Maurizio 1647 - Genova 1726 ) , Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst...

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Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst in der Republik Genua 1528-1815, Francoforte, Schirn-Kunsthalle, 5 settembre - 8 novembre 1992 (come Domenico Piola) Literature M. Newcome-Schleier, Kunst in der Republik Genua 1528-1815, catalogo della mostra, Francoforte, 1992, scheda 83 (come Domenico Piola); M. Newcome-Schleier, Gregorio De Ferrari and the influence of Domenico Fiasella on his work, in "Antichità viva", Firenze, 1994, 33, fig. 6; M. Newcome Schleier, Gregorio De Ferrari, Torino, 1998, pp. 25 - 26, fig. 8; Daniele Sanguineti, Piola e i pittori della sua casa, Soncino, 2004, vol I, p. 111, fig. 72 p. 176; L. Stagno, Committenze artistiche per il matrimonio di Anna Pamphilj e Giovanni Andrea III Doria Landi (1671), in Pamphilj and the arts, 2011, Boston, p. 67, fig. 4.12. The SOPRINTENDENZA ARCHEOLOGICA, BELLE ARTI E PAESAGGIO DELLA CITTÀ DI MILANO (Italian National Heritage) sent us a notice on 19th October at 8.42 am stating the start of the procedure of declaration of particularly important artistic and historical interest.

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Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst in der Republik Genua 1528-1815, Francoforte, Schirn-Kunsthalle, 5 settembre - 8 novembre 1992 (come Domenico Piola) Literature M. Newcome-Schleier, Kunst in der Republik Genua 1528-1815, catalogo della mostra, Francoforte, 1992, scheda 83 (come Domenico Piola); M. Newcome-Schleier, Gregorio De Ferrari and the influence of Domenico Fiasella on his work, in "Antichità viva", Firenze, 1994, 33, fig. 6; M. Newcome Schleier, Gregorio De Ferrari, Torino, 1998, pp. 25 - 26, fig. 8; Daniele Sanguineti, Piola e i pittori della sua casa, Soncino, 2004, vol I, p. 111, fig. 72 p. 176; L. Stagno, Committenze artistiche per il matrimonio di Anna Pamphilj e Giovanni Andrea III Doria Landi (1671), in Pamphilj and the arts, 2011, Boston, p. 67, fig. 4.12. The SOPRINTENDENZA ARCHEOLOGICA, BELLE ARTI E PAESAGGIO DELLA CITTÀ DI MILANO (Italian National Heritage) sent us a notice on 19th October at 8.42 am stating the start of the procedure of declaration of particularly important artistic and historical interest.

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Time, Location
19 Oct 2021
Italy, Milan
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