Gregorio de Ferrari ( Porto Maurizio 1647 - Genova 1726 ) , Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst...
Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst in der Republik Genua 1528-1815, Francoforte, Schirn-Kunsthalle, 5 settembre - 8 novembre 1992 (come Domenico Piola) Literature M. Newcome-Schleier, Kunst in der Republik Genua 1528-1815, catalogo della mostra, Francoforte, 1992, scheda 83 (come Domenico Piola); M. Newcome-Schleier, Gregorio De Ferrari and the influence of Domenico Fiasella on his work, in "Antichità viva", Firenze, 1994, 33, fig. 6; M. Newcome Schleier, Gregorio De Ferrari, Torino, 1998, pp. 25 - 26, fig. 8; Daniele Sanguineti, Piola e i pittori della sua casa, Soncino, 2004, vol I, p. 111, fig. 72 p. 176; L. Stagno, Committenze artistiche per il matrimonio di Anna Pamphilj e Giovanni Andrea III Doria Landi (1671), in Pamphilj and the arts, 2011, Boston, p. 67, fig. 4.12. The SOPRINTENDENZA ARCHEOLOGICA, BELLE ARTI E PAESAGGIO DELLA CITTÀ DI MILANO (Italian National Heritage) sent us a notice on 19th October at 8.42 am stating the start of the procedure of declaration of particularly important artistic and historical interest.
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Saint Andrew with the cross of the martyrdom Oil on canvas, 131x104 cm. Framed (defects and restorations) Exhibition Kunst in der Republik Genua 1528-1815, Francoforte, Schirn-Kunsthalle, 5 settembre - 8 novembre 1992 (come Domenico Piola) Literature M. Newcome-Schleier, Kunst in der Republik Genua 1528-1815, catalogo della mostra, Francoforte, 1992, scheda 83 (come Domenico Piola); M. Newcome-Schleier, Gregorio De Ferrari and the influence of Domenico Fiasella on his work, in "Antichità viva", Firenze, 1994, 33, fig. 6; M. Newcome Schleier, Gregorio De Ferrari, Torino, 1998, pp. 25 - 26, fig. 8; Daniele Sanguineti, Piola e i pittori della sua casa, Soncino, 2004, vol I, p. 111, fig. 72 p. 176; L. Stagno, Committenze artistiche per il matrimonio di Anna Pamphilj e Giovanni Andrea III Doria Landi (1671), in Pamphilj and the arts, 2011, Boston, p. 67, fig. 4.12. The SOPRINTENDENZA ARCHEOLOGICA, BELLE ARTI E PAESAGGIO DELLA CITTÀ DI MILANO (Italian National Heritage) sent us a notice on 19th October at 8.42 am stating the start of the procedure of declaration of particularly important artistic and historical interest.
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