HUYSMAN (Joris-Karl) - ZIMMERMANN (René).
HUYSMAN (Joris-Karl) - ZIMMERMANN (René). Là-bas. Paris: Published at the expense of an enthusiast, 1951. — In-4, 320 x 250: (4 blank folios), 352 pp., (6 folios, the last 4 blank), printed cover. Unbound, covered with a pasteboard cover, with the publisher’s slipcase and dust jacket. A fine edition printed in a run of 243 copies, illustrated with 30 original engravings by the painter René ZIMMERMANN (1904–1991), including 22 in black-and-white in the text and 8 full-page color plates. The text was printed by Pierre Bouchet. One of 200 copies on Arches vellum, numbered 26 through 225 (no. 225). This is Pierre Bouchet’s personal copy, enriched with 6 letters from Zimmermann addressed to Bouchet regarding the book’s publication, an original unsigned sketch, and 14 original engravings in proof state, most of which are signed, some of which do not appear in the book. Very well-preserved copy. Provenance: Pierre Bouchet. – Pierre Jean Mathan Collection.
[ translate ]HUYSMAN (Joris-Karl) - ZIMMERMANN (René). Là-bas. Paris: Published at the expense of an enthusiast, 1951. — In-4, 320 x 250: (4 blank folios), 352 pp., (6 folios, the last 4 blank), printed cover. Unbound, covered with a pasteboard cover, with the publisher’s slipcase and dust jacket. A fine edition printed in a run of 243 copies, illustrated with 30 original engravings by the painter René ZIMMERMANN (1904–1991), including 22 in black-and-white in the text and 8 full-page color plates. The text was printed by Pierre Bouchet. One of 200 copies on Arches vellum, numbered 26 through 225 (no. 225). This is Pierre Bouchet’s personal copy, enriched with 6 letters from Zimmermann addressed to Bouchet regarding the book’s publication, an original unsigned sketch, and 14 original engravings in proof state, most of which are signed, some of which do not appear in the book. Very well-preserved copy. Provenance: Pierre Bouchet. – Pierre Jean Mathan Collection.
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