Hamdan Omar (b. 1954) Migrate
In the composition of the empty fields of his paintings Hamdan places the image of a male figure with ideal posture and body proportions. Obviously, Hamdan did not want to portray the figure's [identity], he used it 'only' to become a kind of special sign which he placed together with the familiar symbol (Yin Yang). Hamdan shows the composition of the gestural attitude of the human [body] on His painting becomes a kind of "code" that can link the chain of meaning between: the question of the presence [image] of the body and the exploration of problems regarding the value of control and balance.
Medium: acrylics on canvas
Size: 148 x 89 cm
Signature: Signed Dated
Condition: The painting is in good condition
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In the composition of the empty fields of his paintings Hamdan places the image of a male figure with ideal posture and body proportions. Obviously, Hamdan did not want to portray the figure's [identity], he used it 'only' to become a kind of special sign which he placed together with the familiar symbol (Yin Yang). Hamdan shows the composition of the gestural attitude of the human [body] on His painting becomes a kind of "code" that can link the chain of meaning between: the question of the presence [image] of the body and the exploration of problems regarding the value of control and balance.
Medium: acrylics on canvas
Size: 148 x 89 cm
Signature: Signed Dated
Condition: The painting is in good condition
Estimate
Time, Location
Auction House
