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LOT 5

Hendrick de Meijer

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(1620 - 1689/1698)
Ships on the Merwede with Dordrecht on the horizon
Oil on panel, 57.3 x 80.1 cm
Provenance:
Private collection, United Kingdom
Note:
In the foreground of this painting, one immediately notices a man doing his business. The artist often chose to depict these humorous scenes in order to provoke laughter from the viewer. When the owner of the painting would show off his newly acquired work to a friend or visitor; it served as a conversation starter.
In 2015, a discovery was made on the painting Dorpskermis met een kerk in de achtergrond by Isaac van Ostade ( 1621-1649), in the Royal Collection in the United Kingdom. During the restoration, a pooping man, who had been over-painted at the beginning of the 20th century, was unveiled. King George IV (1762-1830) appreciated the little figure and bought the work, but his prude Victorian successor Edward VII (1841-1910), the son of Queen Victoria (1819-1901), was not as fond of the joke.
The 17th century artists often painted such subjects, partly as a joke, partly to emphasize their inspiration: nature. Sometimes, a commissioner did not pay enough or got in an argument with the artist, who would then depict himself in a demeaning squatting position.

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Time, Location
26 Nov 2018
Netherlands, Amsterdam
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[ translate ]

(1620 - 1689/1698)
Ships on the Merwede with Dordrecht on the horizon
Oil on panel, 57.3 x 80.1 cm
Provenance:
Private collection, United Kingdom
Note:
In the foreground of this painting, one immediately notices a man doing his business. The artist often chose to depict these humorous scenes in order to provoke laughter from the viewer. When the owner of the painting would show off his newly acquired work to a friend or visitor; it served as a conversation starter.
In 2015, a discovery was made on the painting Dorpskermis met een kerk in de achtergrond by Isaac van Ostade ( 1621-1649), in the Royal Collection in the United Kingdom. During the restoration, a pooping man, who had been over-painted at the beginning of the 20th century, was unveiled. King George IV (1762-1830) appreciated the little figure and bought the work, but his prude Victorian successor Edward VII (1841-1910), the son of Queen Victoria (1819-1901), was not as fond of the joke.
The 17th century artists often painted such subjects, partly as a joke, partly to emphasize their inspiration: nature. Sometimes, a commissioner did not pay enough or got in an argument with the artist, who would then depict himself in a demeaning squatting position.

[ translate ]
Sale price
Unlock
Estimate
Unlock
Time, Location
26 Nov 2018
Netherlands, Amsterdam
Auction House
Unlock