Hiroshi Sugimoto
signed 'Hiroshi Sugimoto' lower right; blindstamp title, date and number 'Baltic Sea Rugen 1996 14/25' lower margin
gelatin silver print
image: 42.3 x 54.4 cm (16 5/8 x 21 3/8 in.)
sheet: 47 x 58 cm (18 1/2 x 22 7/8 in.)
framed: 65.5 x 83 cm (25 3/4 x 32 5/8 in.)
Executed in 1996, in the United States of America, this work is number 14 from an edition of 25.
Condition Report:
This work is in very good condition. There are very minor very faint hairline surface scratches to the lower left vertical edge, only visible on very close inspection and under raking light. There are occasional surface imperfections in places, all deemed inherent to the printing process. This work has been examined ultraviolet light and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is framed under glass in a dark wooden frame, presented float-mounted and attached to its backing in places from the reverse.
Provenance:
Blains, London
Acquired from the above by the present owner
Literature:
Hiroshi Sugimoto, u003cemu003eHiroshi Sugimoto: Seascapesu003c/emu003e, Italy, 2015, p. 179 (another example illustrated)
% from the market value
Estimate
Time, Location
Auction House
signed 'Hiroshi Sugimoto' lower right; blindstamp title, date and number 'Baltic Sea Rugen 1996 14/25' lower margin
gelatin silver print
image: 42.3 x 54.4 cm (16 5/8 x 21 3/8 in.)
sheet: 47 x 58 cm (18 1/2 x 22 7/8 in.)
framed: 65.5 x 83 cm (25 3/4 x 32 5/8 in.)
Executed in 1996, in the United States of America, this work is number 14 from an edition of 25.
Condition Report:
This work is in very good condition. There are very minor very faint hairline surface scratches to the lower left vertical edge, only visible on very close inspection and under raking light. There are occasional surface imperfections in places, all deemed inherent to the printing process. This work has been examined ultraviolet light and there is no evidence of restoration. Otherwise, there are no apparent condition issues with this work. The work is framed under glass in a dark wooden frame, presented float-mounted and attached to its backing in places from the reverse.
Provenance:
Blains, London
Acquired from the above by the present owner
Literature:
Hiroshi Sugimoto, u003cemu003eHiroshi Sugimoto: Seascapesu003c/emu003e, Italy, 2015, p. 179 (another example illustrated)
% from the market value