IAN DAVENPORT | POURED PAINTING: BLACK, WHITE, BLACK
IAN DAVENPORT
b.1966
POURED PAINTING: BLACK, WHITE, BLACK
signed, titled and dated 1996 on the reverse
household paint on board
30.5 by 30.5cm.; 12 by 12in.
Condition Report:
The board appears to be sound. There are one or two tiny chips to the extreme edges, at the lower right hand corner. There are some accretions and inconsistencies in the paint surface, in keeping with the Artist's working methods and intentions. There is a small possible scuff to the lower right quadrant. There is some light surface dirt and studio matter, and also some handling marks in places. This excepting the work appears to be in excellent overall condition.
Inspection under ultra violet light reveals no obvious signs of fluorescence or retouching.
The work is unframed.
Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.
Provenance:
Waddington Galleries, London, where acquired by the present owner, 28th July 1997
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IAN DAVENPORT
b.1966
POURED PAINTING: BLACK, WHITE, BLACK
signed, titled and dated 1996 on the reverse
household paint on board
30.5 by 30.5cm.; 12 by 12in.
Condition Report:
The board appears to be sound. There are one or two tiny chips to the extreme edges, at the lower right hand corner. There are some accretions and inconsistencies in the paint surface, in keeping with the Artist's working methods and intentions. There is a small possible scuff to the lower right quadrant. There is some light surface dirt and studio matter, and also some handling marks in places. This excepting the work appears to be in excellent overall condition.
Inspection under ultra violet light reveals no obvious signs of fluorescence or retouching.
The work is unframed.
Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.
Provenance:
Waddington Galleries, London, where acquired by the present owner, 28th July 1997