Italy.- Vues d'optique.- Six views of Venice and
Italy.- Vues d'optique.- Six views of Venice and Florence, after Canaletto and Zocchi, engravings with hand-colouring, on various wove and laid papers, each sheet approx. 345 x 480 mm (13 1/2 x 18 7/8 in), irregularly trimmed with some small losses, one laid down on support, toning and surface dirt, nicks and tears to extremities, all unframed, some published by Laurie & Whittle, other Sayer, [circa 1750-1818]; together with 3 others, including another vue d'optique by Thomas Bowles after Rigaud, 'The Square of Lewis the Greta at Paris...', J. Deeley's etching and aquatint 'Wingfield Castle Suffolk', and Henry Overton's 'The East Prospect of Dr FLamstead's unframed, published by R.H. Laurie, [circa 1820] (9)
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Italy.- Vues d'optique.- Six views of Venice and Florence, after Canaletto and Zocchi, engravings with hand-colouring, on various wove and laid papers, each sheet approx. 345 x 480 mm (13 1/2 x 18 7/8 in), irregularly trimmed with some small losses, one laid down on support, toning and surface dirt, nicks and tears to extremities, all unframed, some published by Laurie & Whittle, other Sayer, [circa 1750-1818]; together with 3 others, including another vue d'optique by Thomas Bowles after Rigaud, 'The Square of Lewis the Greta at Paris...', J. Deeley's etching and aquatint 'Wingfield Castle Suffolk', and Henry Overton's 'The East Prospect of Dr FLamstead's unframed, published by R.H. Laurie, [circa 1820] (9)
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