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JAMES A. M. WHISTLER Group of 6 prints. Le Mère Gérard, etching on...

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JAMES A. M. WHISTLER
Group of 6 prints.

Le Mère Gérard, etching on Japan paper, 1858. MacDonald's fourth state (of 4), with the addition of the inscription in the plate. Printed by Delâtre, Paris. From the Douze eaux-fortes d'après Nature * Vauxhall Bridge, etching on Japan paper, 1861. MacDonald's second state (of 2), after the addition of the date in the plate * The Punt, etching and drypoint on Japan paper, 1861. MacDonald's fourth state (of 6), with the partial removal of the signature in the plate and date in the lower left and with the engraved inscription included. Printed by Day & Son, London. Published by the Junior Etching Club, London * Sketching, etching and drypoint, 1861. MacDonald's sixth state (of 6), with the inscription and part of the artist's stool removed * Barges Dordrecht, etching, 1886. MacDonald's only state, likely printed after the damage to the plate * Chelsea Embankment, etching on ivory laid paper, 1886. Various sizes and conditions. Very good impressions. Kennedy 11, 70, 85, 86, 244 and 260; Glasgow 24, 75, 82, 83, 262 and 268...

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[ translate ]

JAMES A. M. WHISTLER
Group of 6 prints.

Le Mère Gérard, etching on Japan paper, 1858. MacDonald's fourth state (of 4), with the addition of the inscription in the plate. Printed by Delâtre, Paris. From the Douze eaux-fortes d'après Nature * Vauxhall Bridge, etching on Japan paper, 1861. MacDonald's second state (of 2), after the addition of the date in the plate * The Punt, etching and drypoint on Japan paper, 1861. MacDonald's fourth state (of 6), with the partial removal of the signature in the plate and date in the lower left and with the engraved inscription included. Printed by Day & Son, London. Published by the Junior Etching Club, London * Sketching, etching and drypoint, 1861. MacDonald's sixth state (of 6), with the inscription and part of the artist's stool removed * Barges Dordrecht, etching, 1886. MacDonald's only state, likely printed after the damage to the plate * Chelsea Embankment, etching on ivory laid paper, 1886. Various sizes and conditions. Very good impressions. Kennedy 11, 70, 85, 86, 244 and 260; Glasgow 24, 75, 82, 83, 262 and 268...

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05 Mar 2020
USA, New York, NY
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