Jacob Hendrik Pierneef - Vissershawe, Hermanus (Nilant 5)
Jacob Hendrik Pierneef
South African 1886-1957
Vissershawe, Hermanus (Nilant 5)
1930
stamped with the artist's signature and numbered 5/8 in pencil in the margin; inscribed with the title in pencil on the mount
linocut on tissue paper
image size: 19 by 25cm; 55 by 45,5 by 2cm including frame
Literature
F E G Nilant (1974) Pierneef Linoseë, Cape Town: A A Balkema, another impression from the edition illustrated in black and white on page 35.
Gerard de Kamper and Chris de Klerk (2014) JH Pierneef in Print, Bela-Bela: Dream Africa, another impression from the edition illustrated in black and white on page 9.
Notes
Vissershawe, Hermanus demonstrates Jacob Hendrik Pierneef’s mastery of graphic composition and his ability to reduce complex landscapes to structural clarity. Renowned for his monumental architectural perspective and distinctive graphic style, Pierneef renders the rugged coastal contours and historic fishing precinct of Hermanus using strong contrast and deliberate linework.
By stripping away colour, Pierneef used the relief print format to hone the structural lines of the coastal rock faces and architectural forms of the fishing precinct. The linocut offers a pure, graphic distillation of the geometric layout Pierneef mapped out for both the oil study and the final station panel, that was commissioned in 1929 by Transnet.
Catalogued as Nilant 5 in F E G Nilant’s authoritative oeuvre catalogue (1974) on Pierneef’s linocuts, this print represents an iconic piece of South African graphic art, appealing strongly to collectors of early 20th century modernist prints and local landscape heritage.
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Jacob Hendrik Pierneef
South African 1886-1957
Vissershawe, Hermanus (Nilant 5)
1930
stamped with the artist's signature and numbered 5/8 in pencil in the margin; inscribed with the title in pencil on the mount
linocut on tissue paper
image size: 19 by 25cm; 55 by 45,5 by 2cm including frame
Literature
F E G Nilant (1974) Pierneef Linoseë, Cape Town: A A Balkema, another impression from the edition illustrated in black and white on page 35.
Gerard de Kamper and Chris de Klerk (2014) JH Pierneef in Print, Bela-Bela: Dream Africa, another impression from the edition illustrated in black and white on page 9.
Notes
Vissershawe, Hermanus demonstrates Jacob Hendrik Pierneef’s mastery of graphic composition and his ability to reduce complex landscapes to structural clarity. Renowned for his monumental architectural perspective and distinctive graphic style, Pierneef renders the rugged coastal contours and historic fishing precinct of Hermanus using strong contrast and deliberate linework.
By stripping away colour, Pierneef used the relief print format to hone the structural lines of the coastal rock faces and architectural forms of the fishing precinct. The linocut offers a pure, graphic distillation of the geometric layout Pierneef mapped out for both the oil study and the final station panel, that was commissioned in 1929 by Transnet.
Catalogued as Nilant 5 in F E G Nilant’s authoritative oeuvre catalogue (1974) on Pierneef’s linocuts, this print represents an iconic piece of South African graphic art, appealing strongly to collectors of early 20th century modernist prints and local landscape heritage.