Jane Graverol L'échancrure de rêve
Jane Graverol
1905 - 1984
L'échancrure de rêve
signed JANE GRAVEROL (lower left); signed JANE GRAVEROL and dated 1966 (on the reverse)
pastel on paper
84,2 x 49,8 cm; 33⅛ x 19⅝ in.
Executed in 1966.
__________________________________________________________________________
Jane Graverol
1905 - 1984
L'échancrure de rêve
signé JANE GRAVEROL (en bas à gauche); signé JANE GRAVEROL et daté 1966 (au verso)
pastel sur papier
84,2 x 49,8 cm; 33⅛ x 19⅝ in.
Exécuté en 1966.
Condition Report:
Executed on cream wove paper, not laid down, and glued to a board along the upper edge. The edges are slightly irregularly cut. There is frame abrasion to the edges with some associated minor pigment loss and tiny nicks and scuffs. There is a tear and subsequent minor loss to the sheet to the right part of the extreme lower edge. There are a few artist pinholes to the extreme edges. The sheet is slightly undulating. There is staining to the lower right corner. Probable glue remnant at the centre upper edge. There are tiny surface accretions and light surface scratches in places visible only upon extremely close inspection. This work is in overall very good condition.
Provenance:
Galerie Albert Ier, Brussels (acquired directly from the artist)
Private collection, Belgium
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Jane Graverol
1905 - 1984
L'échancrure de rêve
signed JANE GRAVEROL (lower left); signed JANE GRAVEROL and dated 1966 (on the reverse)
pastel on paper
84,2 x 49,8 cm; 33⅛ x 19⅝ in.
Executed in 1966.
__________________________________________________________________________
Jane Graverol
1905 - 1984
L'échancrure de rêve
signé JANE GRAVEROL (en bas à gauche); signé JANE GRAVEROL et daté 1966 (au verso)
pastel sur papier
84,2 x 49,8 cm; 33⅛ x 19⅝ in.
Exécuté en 1966.
Condition Report:
Executed on cream wove paper, not laid down, and glued to a board along the upper edge. The edges are slightly irregularly cut. There is frame abrasion to the edges with some associated minor pigment loss and tiny nicks and scuffs. There is a tear and subsequent minor loss to the sheet to the right part of the extreme lower edge. There are a few artist pinholes to the extreme edges. The sheet is slightly undulating. There is staining to the lower right corner. Probable glue remnant at the centre upper edge. There are tiny surface accretions and light surface scratches in places visible only upon extremely close inspection. This work is in overall very good condition.
Provenance:
Galerie Albert Ier, Brussels (acquired directly from the artist)
Private collection, Belgium