Japanese Edo Woodblock Print No. 14 by Utagawa

**First Time At Auction**

Utagawa Kunisada I (also Utagawa Toyokuni III) (Japanese, 1786-1864). Publisher: Izumiya Ichibei (Kansendo). A striking woodblock print entitled "No. 14 from the series Magic Lantern Slides of That Romantic Purple Figure (Sono sugata yukari no utsushi-e)" by Utagawa, dating to the Edo period (1847-1852), with seals at lower left and inscription at upper right. Utagawa Kunisada was perhaps the most successful creator of ukiyo-e (pictures of the floating world) woodblock prints during the 19th century in Japan. He is best known for his images illustrating "The Tale of the Genji". Size: 13.875" W x 9.375" H (35.2 cm x 23.8 cm)

Woodblock prints were used in Japan as early as the 8th century to illustrate texts. By the 18th century Japanese wood block techniques evolved immensely, and the first polychrome prints or nishiki-e were commissioned for wealthy patrons of the Edo period. This period is known for marvelous woodblock prints of female beauties, kabuki actors, sumo wrestlers, and courtesans of the infamous pleasure districts. In time the repertoire expanded to include romantic landscapes, flora and fauna, and dramatic historical events. This example features the characteristic birds-eye view, penchant for strong line, and appreciation for brilliant, saturated hues that are hallmarks of this fine Japanese artform. Works such as these played a major role in the West's perception of Japanese visual culture during the late 19th century when Japonism exerted a powerful influence on French Impressionists such as Degas, Manet, and Monet, Post-Impressionists including Van Gogh, even pioneering Art Nouveau artists such as Toulouse-Lautrec.

Provenance: Estate of William Stockton, Colorado, USA; acquired between July 20, 1966 and January 7, 1974 while Mr. Stockton was stationed in Okinawa, Japan. During this period he traveled primarily to Korea, but also to Japan, Vietnam, and other countries in Southeast Asia.

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#150824
Condition Report: Normal toning to paper and there is some fading, but imagery and seals/inscriptions are still relatively strong. Minute losses/tears to peripheries. Set in open front mat; this mat has some stains and creases at lower right corner but this does not affect the woodblock.