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LOT 0098

Jewellery

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A green dioptase rough crystal and diamond suite, circa 1970s, commissioned from Charles de Temple, comprising brooch/pendant, ring and earrings, each with a central rough crystal mass of dioptase, within an abstract textured tendril mount, accented with small claw set brilliant-cut diamonds, all mounted in yellow precious metal, the brooch and ring unsigned, the earrings with later clip and post fittings, hallmarked and bearing maker’s mark ‘CdeT’, with signed grey suede pouch, brooch width 42mm, ring size L-M, earring length 51.5mm. £4,000-£6,000---By family repute, the suite was commissioned from Charles de Temple by the vendor’s mother-in-law in the 1970s. Born In America in 1929, Charles de Temple was the son of an American film actor, Tom Mix. With no formal artistic training, Charles was self taught, working first as a sculptor in America before deciding to concentrate on jewellery design. He moved to England in 1957, soon becoming part of the swinging London scene. In Post war Britain, the Modernist jewellery movement took longer to develop than the modernist art movement, not helped by a heavy tax on luxury goods and limited access to raw materials which meant that during the 1950s, production still focused on traditional pieces for the export market. Therefore, it was not until the early 1960s that a prominent British Modernist style started to emerge from the jewellery studios of London lead by designers such as Andrew Grima, Charles De Temple, John Donald and David Thomas, with their pioneered methods of melting and transforming gold and other precious metals into abstract forms which embraced both shape and texture.Charles De Temple rose to fame after designing several pieces that featured in the 1965 Bond movie Goldfinger, including the actual gold finger used in the film.From circa 1969-1975, he created his series of ‘nervous jewels’, prickly cultural designs in two-coloured gold wire. ----------For more information, additional images and to bid on this lot please go to the auctioneers website, www.dnw.co.uk
Condition Report: The rough crystals are a deep rich bluish green colour, quite well matched. The diamonds are fairly lively, approximately 0.03-0.04 carats each. The dioptase crystals may be a little fragile. The mounts show general surface wear. Gross weight of suite 94.8gm. Pouch is a little crumpled, with a few marks/scuffs, but generally reasonable used condition.

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15 Sep 2020
UK, London
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A green dioptase rough crystal and diamond suite, circa 1970s, commissioned from Charles de Temple, comprising brooch/pendant, ring and earrings, each with a central rough crystal mass of dioptase, within an abstract textured tendril mount, accented with small claw set brilliant-cut diamonds, all mounted in yellow precious metal, the brooch and ring unsigned, the earrings with later clip and post fittings, hallmarked and bearing maker’s mark ‘CdeT’, with signed grey suede pouch, brooch width 42mm, ring size L-M, earring length 51.5mm. £4,000-£6,000---By family repute, the suite was commissioned from Charles de Temple by the vendor’s mother-in-law in the 1970s. Born In America in 1929, Charles de Temple was the son of an American film actor, Tom Mix. With no formal artistic training, Charles was self taught, working first as a sculptor in America before deciding to concentrate on jewellery design. He moved to England in 1957, soon becoming part of the swinging London scene. In Post war Britain, the Modernist jewellery movement took longer to develop than the modernist art movement, not helped by a heavy tax on luxury goods and limited access to raw materials which meant that during the 1950s, production still focused on traditional pieces for the export market. Therefore, it was not until the early 1960s that a prominent British Modernist style started to emerge from the jewellery studios of London lead by designers such as Andrew Grima, Charles De Temple, John Donald and David Thomas, with their pioneered methods of melting and transforming gold and other precious metals into abstract forms which embraced both shape and texture.Charles De Temple rose to fame after designing several pieces that featured in the 1965 Bond movie Goldfinger, including the actual gold finger used in the film.From circa 1969-1975, he created his series of ‘nervous jewels’, prickly cultural designs in two-coloured gold wire. ----------For more information, additional images and to bid on this lot please go to the auctioneers website, www.dnw.co.uk
Condition Report: The rough crystals are a deep rich bluish green colour, quite well matched. The diamonds are fairly lively, approximately 0.03-0.04 carats each. The dioptase crystals may be a little fragile. The mounts show general surface wear. Gross weight of suite 94.8gm. Pouch is a little crumpled, with a few marks/scuffs, but generally reasonable used condition.

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Time, Location
15 Sep 2020
UK, London
Auction House
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